Showing posts with label 1938. Show all posts
Showing posts with label 1938. Show all posts
| Louis Hayward |
MIDNIGHT INTRUDER (1938). Director: Arthur Lubin.
"Houses without people, people without houses." -- Barry musing on the inequities of life.
Barry (Louis Hayward) and his older pal Doc (J. C. Nugent) are completely broke after Barry loses all of their money at the track. Seeking shelter in a rainstorm, they enter a big empty house and later are mistaken by servants for wealthy John Reitter Jr. and one of his friends. Learning that the real Reitter won't be coming home, Barry decides to keep impersonating him and enjoying the good food and liquor and high-toned companions, although Doc is increasingly nervous until he meets rich widow Mrs. Randolph (Jan Duggan of The Old-Fashioned Way). Then Barry learns that the real Reitter (Eric Linden) has been jailed for murder under an assumed name and things get complicated. The oddly-titled Midnight Intruder [which makes it sound almost like a horror film] starts out as a light-hearted comedy and turns into a mediocre mystery halfway through, although it is continuously bolstered by the work of most of the cast, especially Hayward in another absolutely winning lead performance. Nugent is also fine, and the supporting actors include Irving Bacon and Pierre Watkin. Duggan is as much fun as ever in her brief turn as the widow and Robert Grieg scores as the butler Willetts.
Verdict: Amiable, even if it goes off course at the midway point. **1/2.
| Margaret Sullavan and James Stewart |
At the start of WW 1 Daisy Heath (Margaret Sullavan) is a sophisticated, world-weary Broadway star who is engaged to Sam Bailey (Walter Pidgeon of Forbidden Planet). Both Daisy and Sam are rather cynical about the war and soldiers, until Daisy meets a young Army man named Bill (Jimmy Stewart). Having no girlfriend, Bill has told his pals that Daisy is his gal, and she goes along with it out of compassion. Daisy begins to see Bill on a regular basis, telling herself and Sam that she's just being kind, but real feelings between both begin to develop. And then Daisy learns that Bill's unit is going overseas ... The Shopworn Angel is a lovely movie that features a superb performance from Sullavan [Only Yesterday] and excellent work from her two leading men; Hattie McDonald [Everybody's Baby] also scores, as usual, as Martha. If the film has any flaw it's that some may consider the ending more ridiculous than moving.
Verdict: Another luminescent Sullavan performance. ***.
SUNSET MURDER CASE (aka Sunset Strip Case/1938). Director: Louis J. Gasnier.
Dancer Kathy O'Connor (Sally Rand) is determined to get the man who ordered her cop father's death, and comes up with a rather implausible plan. She will go to Europe, develop a reputation as the Toast of the Continent under the name "Valerie," and come back to the US to work in a night club owned by bad guy Stephani (Paul Sutton), whereupon she will get the goods on him. Two men are vying for her favors: Detective Helton (Reed Hadley), who had worked with her father; and reporter Lou Fleming (Dennis Moore), who has feelings for Kathy but may have to make do with the slightly pixelated singer, Penny Nichols (Kathryn "Sugar" Kane). Sally Rand made quite a few movies before this, including many silents, but Sunset was her last picture. She became more famous as a burlesque performer with a famous fan dance than as an actress. There's a funny scene when Helton registers his disapproval of dancer Kathy without realizing she's the daughter of his partner. Rand is cute and likable, but Dennis Moore [The Fearmakers] makes the biggest impression as Lou, giving a fine performance of charm and humor. Orchestra leader Henry King plays himself. Handsome Hadley made more of an impression as the lead in the classic serial Zorro's Fighting Legion.
Verdict: Easygoing vehicle for Rand with a potpourri of a script. **.
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Dancer Kathy O'Connor (Sally Rand) is determined to get the man who ordered her cop father's death, and comes up with a rather implausible plan. She will go to Europe, develop a reputation as the Toast of the Continent under the name "Valerie," and come back to the US to work in a night club owned by bad guy Stephani (Paul Sutton), whereupon she will get the goods on him. Two men are vying for her favors: Detective Helton (Reed Hadley), who had worked with her father; and reporter Lou Fleming (Dennis Moore), who has feelings for Kathy but may have to make do with the slightly pixelated singer, Penny Nichols (Kathryn "Sugar" Kane). Sally Rand made quite a few movies before this, including many silents, but Sunset was her last picture. She became more famous as a burlesque performer with a famous fan dance than as an actress. There's a funny scene when Helton registers his disapproval of dancer Kathy without realizing she's the daughter of his partner. Rand is cute and likable, but Dennis Moore [The Fearmakers] makes the biggest impression as Lou, giving a fine performance of charm and humor. Orchestra leader Henry King plays himself. Handsome Hadley made more of an impression as the lead in the classic serial Zorro's Fighting Legion.
Verdict: Easygoing vehicle for Rand with a potpourri of a script. **.
| Mayor Jones [right] samples some of Cy's corn liquor |
DOWN ON THE FARM (1938). Director: Malcolm St. Clair.
When the fire department accidentally makes a mess of their home, the Jones family head off to spend some time with Mayor Jones' sister, Ida (Louise Fazenda of The Old Maid) on the farm she co-owns with her brother. Mayor Jones (Jed Prouty) importunes hired hand and Ida's boyfriend Cy (Eddie Collins) to enter a corn husking contest -- Jones was once a corn-husking champ -- but learns that the town council thinks he's got a good shot at running for senator if he enters it himself. When a political boss (an uncredited Sidney Blackmer of Rosemary's Baby), who's backing someone else, offers Jones a post as state coroner, Grandma Jones (Florence Roberts) and Ida rightly see that it's only a bribe to get him out of the race -- no country bumpkins, they. Roger (George Ernest) has a girl named Emma (Roberta Smith) chasing after him, while Jack (Kenneth Howell) is immediately attracted to her older sister, Tessie (Dorris Bowden). Will John Jones win the corn husking contest and get to go to the senate? This is more amiable fun with a very creditable cast who by now were very much at home in their roles. Granny is a little more grumpy in this than usual, but still lovable.
Verdict: More fun with the Joneses. ***.
| Lucy (June Carlson) is comforted by her mother (Spring Byington) |
SAFETY IN NUMBERS (1938). Director: Malcolm St. Clair.
Mrs. Jones (Spring Byington) wins a radio contest as "best mother" after daughter Lucy (June Carlson) pens an essay about her. Meanwhile Major Jones (Jed Prouty) is nearly hornswoggled by some folks who say the town swamp contains mineral water with miraculous properties and want money to build a health spa on the site. On the romantic front, Jack (Kenneth Howell) falls seriously for a gal, Toni (Iva Stewart), who is already engaged to another, a situation which doesn't thrill her mother (Helen Freeman). The title comes from a speech Mrs. Jones has in which she mentions that the advantage of large families is that if one member is sad or in trouble, the others can pitch in and help -- there's safety in numbers. Robert Lowery [Batman and Robin] has a small role as a radio show host, and Cy Kendall is again the portly Chief of Police. Followed by The Jones Family in Hollywood.
Verdict: More than acceptable entry in the Jones Family series. **1/2
| Wise Women: Spring Byington and Florence Roberts |
"Somewhere in that deep, dark breast of yours lies the spirit of Carnivale."
Bonnie Jones (Shirley Deane) and her new husband Herbert (Russell Gleason) are having trouble making ends meet and have little furniture in their attractive new home. Along comes Bonnie's free-loading Uncle Charlie (Alan Dinehart), who has Herbert cashing in his bonds not to buy furniture but to invest in a scheme that ultimately leaves him deeper in debt. Shirley wants to move back in with her parents, or file for divorce, and things aren't helped when Herbert and Charlie go out dancing with the former's employee, Millie (Joyce Compton of Dark Alibi), who looks sensational without her glasses. Love on a Budget is an amusing trifle with Granny Jones (Florence Roberts), in particular, in top form, dispensing wisdom and put-downs to Uncle Charlie in equal measure. The scene when Bonnie prepares her first dinner for the whole family is also quite funny. Mayor Jones (Jed Prouty), Mrs. Jones (Spring Byington), Jack (Kenneth Howell), Roger (George Ernest) and sister Lucy (June Carlson) are also along for the ride, as is a much more subdued Dixie Dunbar as Jack's date, apparently a different character from the crazy gal she played in previous Jones Family movies. Leeds also directed Bunco Squad. Shirley Deane was Princess Aura in Flash Gordon Conquers the Universe. Florence Roberts was the Widow Peep in Babes in Toyland. This is the eighth movie in the series.
Verdict: Pleasant minor comedy. **1/2.
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| Greta Gynt and George Curzon |
SEXTON BLAKE AND THE HOODED TERROR (aka The Hooded Terror/1938). Director: George King.
"Bombs going off. Men falling dead. What kind of place is this? A gentleman's house or a chamber of horrors?' -- Mrs. Bardell
While almost completely unknown in the United States, private eye Sexton Blake, who began life as a Sherlock Holmes clone (who even had an office on Baker Street and a Mrs. Hudson-type housekeeper) before metamorphosing into different types of action heroes over the decades, was once very big stuff in England. In this film our hero (George Curzon) is up against a secret group known as the Black Quorum, which is led by a man known as the Snake. The members of the Quorum wear masks at their meetings, but take them off to look at closed-circuit television, making one wonder why they bother with the masks in the first place. Greta Gynt plays a special agent named Julie, whom Blake is always condescending to because she's a woman, but who saves his bacon on at least one occasion. [Brave Julie is the most "modern" thing about the movie.] Blake has an assistant named Tinker (Tony Sympson) and a housekeeper named Mrs. Bardell (Marie Wright). Tod Slaughter plays a deceptively jovial figure named Michael Larron. The most interesting scene features a death chamber full of slithering snakes. This isn't terrible, just not very memorable. Curzon, Gynt and the others are fine, with Gynt especially vivacious, adept and notable.
Verdict: Stick with Sherlock Holmes. **.
| Andy (Mickey Rooney) on a dispirited burro |
An old flame calls Judge Hardy (Lewis Stone) for help when she and her husband fear they'll lose their ranch over water rights. The judge takes the entire family with him to the west, and they sort of just move into this couple's ranch, make themselves at home, and raid the refrigerator as if they own the place. Marian Hardy (Cecelia Parker) falls for a rugged cowboy and widower named Ray (Gordon Jones of The Green Hornet), while his young daughter, "Jake" (Virginia Weidler), develops a crush on Andy (Mickey Rooney). Weidler and Rooney give the most memorable performances, but the others in the cast are swell, as Andy would put it. Fay Holden as Mrs. Hardy can't quite disguise her veddy proper British roots. Ralph Morgan [The Monster and the Ape] and Nana Bryant [Possessed] are the ranchers, and Tom Neal has a small role as a traffic violator in Judge Hardy's courtroom. An unusual aspect of this Hardy feature is that there are no beautiful starlets for Andy to play around and neck with.
Verdict: Pleasant time-waster: **1/2.
| Wilcox, Davenport and Kent at the parade |
YOUNG FUGITIVES (1938). Director: John Rawlins.
"You got enough money there to get so educated you won't have a brain in your head."
After the death of his old buddy, Tom (Tom Ricketts), Joel Bentham (Harry Davenport of Son of Fury) is the last surviving Civil War veteran in his southern town. He is given a check for $50,000 and moves into Tom's farm with his buddy, Benjie (Clem Bevans of Gold Raiders). The two men sort of adopt a young female "bum" named Meg (Dorothea Kent), and then Tom's grandson Ray (Robert Wilcox) comes along and also moves in. But Meg, who is attracted to him, wonders if he really wants the simple life, or is he chiefly interested in old Joel's $50,000? The performances are good -- the always reliable Davenport has a good scene when he thinks of the war, the past, and all the dead young men -- but the movie is contrived and a bit on the dull side. Wilcox and Kent make an appealing couple. Mira McKinney scores as the landlady, Letty, as does Mary Treen as Joel's friend, Kathy. John Rawlins directed everything from cliffhanger serials to Sherlock Holmes movies to Dick Tracy features such as Dick Tracy's Dilemma.
Verdict: Some nice moments, but nothing special here. **.

