Showing posts with label 1965. Show all posts
Showing posts with label 1965. Show all posts
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| Cushing and Lee at cross-purposes |
THE SKULL (1965). Director: Freddie Francis.
Dr. Christopher Maitland (Peter Cushing) is a collector of macabre esoterica who is brought a certain skull by Marco (Patrick Wymark); Marco insists it is the skull of the Marquis De Sade. Exposure to the skull brings doom and death to certain parties, and begins to control the mind of Dr. Maitland. Another collector, Sir Matthew Phillips (Christopher Lee), from whom the skull was stolen, warns Maitland about the skull, to no avail. Amicus studios tried to go Hammer one better by hiring away their stars and directors, and using similarly handsome settings, but producer (and Amicus bigwig) Milton Subotsky's script for this pretty much does it in. Just about everything that happens is completely predictable, and at one point the skull even goes flying through the air like a bat in a silly bit of business. Based on a story by Robert Bloch, it presents a foolish stereotype of De Sade as well. Cushing is marvelous, as usual, with fine support from Lee and Jill Bennett (For Your Eyes Only) as his wife. George Coulouris is an early victim of the skull and Michael Gough is an auctioneer. The whole thing becomes surprisingly boring pretty quickly. Asylum was a much better Amicus picture.
Verdict: More of a numbskull than a skull. **.
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| Raymond Burr |
"This is no longer a simple murder case. It's turning into a comic opera!" -- Hamilton Burger.
"I've been on the bench twenty years and this is the longest preliminary hearing I can ever recall." -- judge
The ninth season was the final season of one of television's most memorable series. Ray Collins (Lt. Tragg) had passed away after being ill for quite some time, and his name was finally removed from the credits. Wesley Lau was replaced by Richard Anderson as Lt. Drumm. The high quality of the show was maintained until the very end. Among the most notable episodes are" "Laughing Lady," with John Dall, Constance Towers, and Allison Hayes in the story of a woman who insists another lady murdered her ex-lover; "Carefree Coronary," an unusual story in which Perry investigates possible insurance fraud involving coronary patients; "Hasty Honeymooner," in a which a man is accused of murdering the wife he found in a lonely hearts club; and "Wrathful Wraith," which begins with the charges against Perry's client being dismissed. Also: "The Silent Six," loosely inspired by the Kitty Genovese case and with a fine performance from David Macklin, has a woman beaten while her neighbors just listen. "The Fugitive Fraulein" is another unusual episode in which Perry defends a grandmother accused of murder -- in East Berlin! Perry starts out as a witness for the prosecution in "Midnight Howler" then defends the person he's testifying against. "Baffling Bug" is a suspenseful story regarding industrial espionage guest-starring Grant Williams. Other memorable episodes include "Avenging Angel:" " Tsarina's Tiara;" "Fanciful Frail;" "Bogus Buccaneers;" "Vanishing Victim;" "Positive Negative;" "Fatal Fortune;" "Candy Queen;" and "Crafty Kidnapper." "Twice-Told Twist" is worthy of mention because it's the only color episode of the series.
And those fine episodes weren't even the best of the season. The three best stories were "Dead Ringer," in which Raymond Burr plays a dual role, including a seedy limey sailor who impersonates him for cash; Burr, who is terrific, winds up cross-examining himself! "Misguided Model" is another excellent episode about a boxer accused of murder that has no trial or courtroom scenes yet still is riveting. The final episode, "Final Fadeout," has a nasty actor (James Stacy) murdered and the suspects are numerous; an excellent Estelle Winwood is also in the cast. DA Burger becomes really apoplectic in this episode and William Talman gives an especially fine performance.
And that was it. Of course Burr played Mason in several telefilms of varying quality and Monte Markham tackled the role in The New Perry Mason, which didn't last long. Now Robert Downey Jr. is set to play Perry in a theatrical film. Perry Mason was played by more than one actor in the golden age of movies, but Raymond Burr, who found the part of a lifetime and ran with it, will always be the thespian most closely associated with the role. Hats off to the many actors, fine writers, and gifted directors who together kept this show so entertaining for so many seasons.
Verdict: Simply a sublime series. ****.
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| Napoleon Solo and Illya Kuryakin -- in color |
Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) came back for a second season of the generally light-hearted spy show, this time in color and "armed" with special pen communicators. There was more humor this season, with some rather stupid episodes, but quite a few were memorable. The two-part "Alexander the Greater Affair" features Rip Torn as a megalomaniac out to rule the world. "The Foxes and Hounds Affair" presents an amusing -- and explosive -- rivalry between two Thrush agents played by Patricia Medina and a wonderful Vincent Price. "The Dippy Blonde Affair" has a Thrush executive falling for the girlfriend (Joyce Jameson) of a colleague he murdered after she's enlisted by UNCLE to play along and find out what she can. Thrush develops a strain of deadly and nearly invisible bees in "The Birds and the Bees Affair," in which Illya and a lovely companion are subjected to torture by sonics. "The Bridge of Lions Affair" features Maurice Evans, Bernard Fox and Vera Miles in a tale of artificial rejuvenation and the power plays surrounding it. The season's best episode, "The Waverly Ring Affair," is a suspenseful business in which the agents must figure out which co-worker, Larry Blyden or Elizabeth Allen, is a traitor working for Thrush. Other good episodes include "The Ultimate Computer;" "Discotheque Affair;" "Re-Collectors;" "Arabian Affair;" "Adriatic Express;" "Project Deephole;" "Minus X Affair" with Eve Arden; and "The Children's Day Affair," in which Jeanne Cooper plays Mother Fear, who runs a boy's school and is training the little fellows to wipe out agents at a special conference. The worst episode is probably "The Deadly Toys Affair," which guest-stars an overbearing Angela Lansbury in one of her least memorable performances; way too much camp. Vaughn and McCallum are perfect and Leo G. Carroll nearly steals the show as their boss, Alexander Waverly. The souped-up theme music is pretty neat. NOTE: The big-screen adaptation of the show due in 2014 will not star Tom Cruise but rather Henry Cavell of The Man of Steel.
Verdict: Cool show if too often on the edges of camp. ***.
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| Stuart Damon and Lesley Ann Warren |
This is an entertaining color version of the musical, written for television, which first appeared in 1957 with Julie Andrews in the lead. While Lesley Ann Warren [The Happiest Millionaire] may not be in Andrews' league as a singer, she is still quite effective and charming as our heroine, and Stuart Damon makes a convincing Prince Charming. Pat Carroll makes an impression as one of the wicked step-sisters, with Jo Van Fleet [Wild River] suitably nasty and ugly as her mother and Barbara Ruick just fine as her sister. Celeste Holm [Everybody Does It] makes an excellent fairy godmother, but Ginger Rogers is fairly ho hum as the queen and Walter Pidgeon looks like he's about to nod off any moment as the king; they can't compare to Dorothy Stickney and Howard Lindsay in the original. The memorable songs include "A Lovely Night;" "Ten Minutes Ago;" "Whats the Matter with the Man?"; "The Loneliness of Evening;" and "Do I Love You (Because You're Beautiful)."
Verdict: Not bad, but the original has the edge. ***.
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| A half-naked Cornel Wilde |
An unnamed guide (Cornel Wilde) is leading a safari to hunt elephants for ivory, but an arrogant member of the group refuses to give trinkets to the natives. In what seems to be the midst of tribal wars, the members of the safari are captured and put to death in torturous and horrifying ways as men, women and children look on with glee and even participate. The guide is to be the subject of a hunt, and tries to survive attack after attack as he makes his way across Africa. The Naked Prey is absorbing, although at times Wilde seems like some kind of latter-day Tarzan the way he handily defeats each and every black warrior who comes after him. On the other hand, there's a charming scene when a little native boy saves his life in gratitude for Wilde's saving his and showing him compassion earlier. There are no translations for the natives, unfortunately. Wilde [Shockproof], in great shape at fifty-three, gives a very good, mostly silent performance -- he also does a very good job as director -- and the actors playing natives are also quite effective. The photography by H.A. R. Thomson is excellent, and the movie, in addition to being suspenseful, illustrates the diversity of the people, wild life and topography of Africa.
Verdict: Imperfect, but something different. ***.
In this sort-of sequel to The Fly and Return of the Fly, a hitherto unknown second son of Andre Delambre named Henri [in Return of the Fly Andre's son was named Philippe] and played by Brian Donlevy, has continued his father's research -- aided by his two sons, Martin (George Baker) and Albert (Michael Graham) -- with miserable results. Martin's wife and others went through the teleportation machine and came out twisted freaks which the "kindly" Delambre keeps isolated in the stables! Although he's already married, Martin comes across a woman (Carole Gray) who escapes from a mental institution, falls in love with and marries her, and brings her home, never telling her about the misshapen wife (Mary Manson) he's already got who isn't even allowed in the house! Yet these Delambres are presented as "nice" people. Inspector Charas, played by Herbert Marshall in the first film, appears briefly, this time played by Charles Carson. The film never answers the question of how Andre Delambre could have fathered another son after he was killed by his wife in The Fly. Curse of the Fly takes material from the first two films and doesn't do very much with it. Perhaps the most horrifying thing about the movie is that George Langelaan, who wrote the novella "The Fly," receives no onscreen credit [maybe he preferred it that way!]. Curse of the Fly holds the attention and isn't badly acted, but it pretty much wastes some terrific ideas. Sharp also directed Rasputin, the Mad Monk.
Verdict: Swat this fly! **.
Wealthy Kit Jordan (Lana Turner) is living in Acapulco and married to ex-beach bum, Pete (Cliff Robertson of Obsession). When an old flame of hers, another beach bum named Billy, washes up dead on the shore, it causes tension in her marriage, a situation that isn't helped by the arrival of Carol (Stefanie Powers of Die, Die My Darling), who once cared for Billy, and who attracts the attentions of Pete. Meanwhile half-naked hustler Hank (Hugh O'Brian) and his buddy, Chuck (Ron Husmann), zero in on two middle-aged tourists, Margot (Ruth Roman) and Irene (Virginia Grey). Although the movie is in general well-acted [by Hollywood standards] -- with an especially noteworthy and reptilian O'Brian -- the actors still aren't brilliant enough to make these stereotypes come to life. Marguerite Roberts' thrice-removed screenplay moves the characters around in allegedly interesting tableaux but nothing of consequence ever happens, and the dialogue is as empty as the people. The sub-plot with O'Brian and the ladies really goes nowhere.
Verdict: Go to the beach instead -- or Acapulco! *1/2.