Showing posts with label Ann Miller. Show all posts
Showing posts with label Ann Miller. Show all posts
REVEILLE WITH BEVERLY (1943). Director: Charles Barton.
Beverly Ross (Ann Miller) wants to work on the radio in the worst way, so she connives to steal away Vernon Lewis' (Franklin Pangborn) morning program devoted to classical music and replace it with a pop music program. A wealthy man, Barry (William Wright) joins the Army at the same time as his chauffeur, Andy (Dick Purcell), and both bet on whether or not this new Beverly gal on the radio is pretty; she later confuses the two of them with one another. This was one of many wartime alleged morale boosters with a slim plot and many guest appearances by such artists as the Mills Brothers, Frank Sinatra, and Bob Crosby and his band. Irene Ryan has a funny turn as the secretary, Elsie, and Larry Parks plays a soldier named Eddie. Movies from this era either celebrated both pop/swing and classical/opera, with guest stars from various musical genres, or they do what this one does and turn it into a competition, chortling about how people prefer Bob Crosby to Mendelssohn. Franklin Pangborn is as wonderful as ever, cynically cast as the Mean Old Effeminate Classical Music Lover. With her perky, ruthless demeanor and out-sized cheeks, Ann Miller tap dances her way into infinity -- and not a moment too soon. Charles Barton directed many Abbott and Costello movies as well as The Shaggy Dog.
Verdict: No better nor worse than most of these things. **.
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Beverly Ross (Ann Miller) wants to work on the radio in the worst way, so she connives to steal away Vernon Lewis' (Franklin Pangborn) morning program devoted to classical music and replace it with a pop music program. A wealthy man, Barry (William Wright) joins the Army at the same time as his chauffeur, Andy (Dick Purcell), and both bet on whether or not this new Beverly gal on the radio is pretty; she later confuses the two of them with one another. This was one of many wartime alleged morale boosters with a slim plot and many guest appearances by such artists as the Mills Brothers, Frank Sinatra, and Bob Crosby and his band. Irene Ryan has a funny turn as the secretary, Elsie, and Larry Parks plays a soldier named Eddie. Movies from this era either celebrated both pop/swing and classical/opera, with guest stars from various musical genres, or they do what this one does and turn it into a competition, chortling about how people prefer Bob Crosby to Mendelssohn. Franklin Pangborn is as wonderful as ever, cynically cast as the Mean Old Effeminate Classical Music Lover. With her perky, ruthless demeanor and out-sized cheeks, Ann Miller tap dances her way into infinity -- and not a moment too soon. Charles Barton directed many Abbott and Costello movies as well as The Shaggy Dog.
Verdict: No better nor worse than most of these things. **.
CAROLINA BLUES (1944). Director: Leigh Jason.
"Is he dying of something serious?"
The irrepressible band leader Kay Kyser, playing himself, is back in another musical comedy and he's got Ish Kabibble and Ann Miller to play around with! The plot, such as it is, has Kay promising his band and singers a vacation but always discovering that there's another wartime commitment. Finally he resorts to pretending he's dying [a somewhat tasteless sub-plot] so that the gang will come back and perform. Another complication has it that Kay's favorite singer, the real Georgia Carroll, is going off to get married, and he's resistant to the idea of hiring Julie (Ann Miller), the daughter of supposedly wealthy Phineas Carver (Victor Moore), to replace her. [In real life Carroll married Kay Kyser!] Victor Moore not only plays Phineas but also all of his relatives, male and female, and there's a funny bit when we meet Ish Kabibble's family and all of them, including the dog, have the same bowl-over-the-head haircut. Kyser is likable and adept enough, Miller is enthusiastic and perky, the assorted singers and dancers are swell, the tunes are bouncy, and Moore [It Happened on Fifth Avenue] and Kabibble provide some laughs. What more could you ask for? Well ... Kyser and Kabibble were also in Around the World. Jason also directed Three Girls About Town and others.
Verdict: Amiable nonsense with music and a pleasant cast. ***.
READ MORE
"Is he dying of something serious?"
The irrepressible band leader Kay Kyser, playing himself, is back in another musical comedy and he's got Ish Kabibble and Ann Miller to play around with! The plot, such as it is, has Kay promising his band and singers a vacation but always discovering that there's another wartime commitment. Finally he resorts to pretending he's dying [a somewhat tasteless sub-plot] so that the gang will come back and perform. Another complication has it that Kay's favorite singer, the real Georgia Carroll, is going off to get married, and he's resistant to the idea of hiring Julie (Ann Miller), the daughter of supposedly wealthy Phineas Carver (Victor Moore), to replace her. [In real life Carroll married Kay Kyser!] Victor Moore not only plays Phineas but also all of his relatives, male and female, and there's a funny bit when we meet Ish Kabibble's family and all of them, including the dog, have the same bowl-over-the-head haircut. Kyser is likable and adept enough, Miller is enthusiastic and perky, the assorted singers and dancers are swell, the tunes are bouncy, and Moore [It Happened on Fifth Avenue] and Kabibble provide some laughs. What more could you ask for? Well ... Kyser and Kabibble were also in Around the World. Jason also directed Three Girls About Town and others.
Verdict: Amiable nonsense with music and a pleasant cast. ***.

