Showing posts with label Claudette Colbert. Show all posts
Showing posts with label Claudette Colbert. Show all posts
![]() |
Gloria Swanson with reporter Larry Quirk |
Larry Quirk was my best friend and longtime companion for 35 years. Larry had been an Army sergeant during the Korean War, a Hearst reporter covering the crime beat, a Hollywood columnist and publicity man, and the author of numerous books on movies and celebrities, such as the bestselling Fasten Your Seat Belts: The Passionate Life of Bette Davis and The Kennedys in Hollywood, to name just two. Larry and I collaborated on a few books as well.
It's fitting that of the two pictures I've chosen for this post -- one when Larry was relatively young, decades before I'd met him, and another when he was older -- the first features Gloria Swanson a year or two before she did Sunset Boulevard, a still from which graces this blog. After a solid body of books behind him, Larry began tendering "Quirk Awards" named for his uncle, James. R. Quirk, who edited and published Photoplay magazine back in the golden age. Therefore the second photo shows Larry giving Claudette Colbert an award in her dressing room when she was appearing on Broadway. Originally the awards were for films and actors, but when I began tendering them along with Larry we made them full-fledged performing arts awards, with venues ranging from the Roosevelt Townhouse to the 5 Oaks bar and Rose's Turn in the village, to St. Clement's Theatre on 46th street.
![]() |
Larry with Claudette Colbert |
He was a true original, and I and others will miss him very much.
Rest easy, Larry.
Colbert can do without MacMurray's attention to Allbritton |
THE EGG AND I (1947). Director: Chester Erskine.
Bob MacDonald (Fred MacMurray), a selfish and inconsiderate husband, buys a farm without even consulting his wife, Betty (Claudette Colbert) -- which alone would be a reason for divorce for some women -- and the two set off for the country to raise chickens and sell eggs. While having assorted misadventures, the couple meet the odd Pa Kettle (Percy Kilbride), his big-hearted wife, Ma (Marjorie Main), and their huge brood, as well as the predatory Harriet (Louise Allbritton), who doesn't seem to care that Bob has a wife. The Egg and I is consistently amusing, has a nice scene when all the neighbors show up to help the MacDonald's after a fire, and boasts some very good performances; Colbert, in particular, is excellent, and her expressions throughout the movie are priceless. There are guest appearances by the likes of Donald MacBride, Elisabeth Risdon [from the "Mexican Spitfire" films], and Esther Dale, and there's even a pig named Cleopatra! Ida Moore shows up late in the film as a somewhat dotty old lady who has a tale of a giant chicken. While there are some fairly foolish marital developments at the end of the movie that make Betty seem like a dope, The Egg and I is still a very funny and entertaining picture. The characters of Ma and Pa Kettle soon got their own feature as well as several sequels.
Verdict: Colbert is a riot! ***.
Claudette Colbert |
On shipboard, Lee (Claudette Colbert) is romanced by Chris (Walter Pidgeon), who urges her to marry him instead of his "friend," Larry Addams (Richard Derr), to whom she is engaged. But Lee does marry Larry and finds herself trapped in a relationship with a neurotic, paranoid composer -- basically an asshole -- who takes a long time to finally dispose of himself. Chris comes back into Lee's life, but she resists him out of guilt. Another complication is that her step-daughter, Penny (June Allyson), thinks she's fallen in love with the much older Chris -- when she learns the truth of whom he really loves will she go the way of her father? The Secret Heart is an absorbing enough romantic melodrama, bolstered by some very good performances, especially from Colbert, Derr [Terror is a Man], Robert Sterling [Bunco Squad] as Lee's stepson and Patricia Medina as his fiancee. Lionel Barrymore is in Wise Old Owl mode as Penny's shrink, and Marshall Thompson is charming as a young man who is attracted to a dismissive Penny. June Allyson is not bad as Penny, although, as usual, she's a trifle cloying, and Pidgeon manages to hold his own with Colbert without being on her level. Elizabeth Patterson and Dwayne Hickman are also in the cast. Leonard also directed the far superior In the Good Old Summertime.
Verdict: Some people you can live without. **1/2.
Rudy Vallee and Claudette Colbert |
"Men don't get smarter as they get older, they just lose their hair."
Geri (Geraldine) Jeffers is married to an engineer, Tom (Joel McCrea), who can't seem to get a break. Geri figures that they would be better off if they divorced, and if she married someone wealthy she could get him the $100,000 he needs for his dream project, a "suspended" [!] airport. Although broke, she manages to make her way to Florida via the zany members of the "ale and quail club" and meets a man named J. D. Hackensacker (Rudy Vallee), who is fabulously rich. Tom flies down to stop Geri from getting a divorce and winds up in the clutches of J. D.'s man-hungry sister, the Princess Centimillia (Mary Astor), who thinks he's Geri's brother... The Palm Beach Story is a delightful comedy with fine performances and some hilarious dialogue. Colbert and Astor come off best, and McCrea and Vallee are quite good although they are not especially gifted comic actors. Robert Dudley almost steals the show as a sweet old man who wants to rent the Jeffers' apartment and winds up giving Geri money for the back rent. There's a riotous scene when the Ale and Quail Club shoot up the club car with Fred "Snowflake" Toones [Seventeen] comical as the nervous and then horrified bartender. Other notables in the cast include William Demarest, Mantan Moreland (dining club waiter); Franklin Pangborn [The Bank Dick] as an apartment manager; and Sig Arno as Toto, the princess' latest, unintelligible boyfriend. This is a charming and very funny movie. You may be confused by the frenetic credit sequence, in which there seems to be two Claudette Colberts, but all is explained (more or less) at the conclusion. Sturges also wrote and directed Unfaithfully Yours, which is vastly inferior to this.
Verdict: A classic comedy. ***1/2.