Showing posts with label Dorothy Malone. Show all posts
Showing posts with label Dorothy Malone. Show all posts
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| Steve Cochran and Ida Lupino have plans |
Detectives Cal Bruner (Steve Cochran) and Jack Farnham (Howard Duff) are trying to find some stolen loot and the guys who snatched it. When a marked $50 bill is given to chanteuse Lilli Marlowe (Ida Lupino) as a tip, they interview her to find out what she remembers about the generous club patron; Cal and Lilli are drawn to one another. Things take a dark turn when one of the two cops decides to pocket some of the aforementioned stolen loot ... Private Hell 36 is a minor crime drama with some good acting from all of the principals; Lupino is especially appealing as the slightly hard-bitten but likable saloon singer. Dean Jagger scores as the wise older boss of the two detectives, and Dorothy Malone is fine in the brief, thankless role of Farnham's wife [although Lupino and Duff were married at the time they are not paired with each other]. The script is credited to Lupino and her ex-husband, Collier Young. Borderline film noir. Director Siegel's best-known film is arguably Invasion of the Body Snatchers.
Verdict: Interesting idea that's not developed all that well. **.
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| John (Ray Danton) gives Diana (Dottie Malone) a back rub |
"I don't want to write a book about my life. Living it was bad enough." -- Diana Barrymore.
"I am fifty-nine years old. And not as drunk as you think. Why don't you take what I offer and not make me jump through hoops?' --John Barrymore.
In this somewhat sanitized version of Diana Barrymore's memoir of the same name, Diana (Dorothy Malone) wishes she could get to know her father, John Barrymore (Errol Flynn) better, but her mother, Blanche (Neva Patterson) isn't too thrilled with the notion. Diana decides to follow in her great family's footsteps and become an actress, discovering that her famous name opens doors but won't necessarily deliver decent scripts. As he was still alive at the time of filming, her first husband, Bramwell Fletcher, is represented by the made-up character of "Vincent Bryant" (Efrem Zimbalist Jr.), who comes home to find Diana diddling in their bedroom with sleazy tennis bum, John Howard (Ray Danton), a real-life man who becomes her second husband. Diana's third husband, actor Robert Wilcox, is portrayed by Ed Kemmer [Earth vs the Spider]; she and Wilcox become mired in a maze of booze, poverty and blown opportunities. Writer Gerald Frank, who helped craft the memoir, is portrayed by Robert Ellenstein. Too Much, Too Soon is psychologically simplistic, but well-acted, with Malone doing a swell job as Diana, with fine support from Patterson and the others. Errol Flynn is the big surprise, turning in a fine performance as the dissipated Barrymore [ironic, considering what lay in Flynn's future]. Smaller roles are performed by Kathleen Freeman and Martin Milner, and there's a nice score by Ernest Gold.
Verdict: Lurid but quite entertaining and reasonably well-made. ***.