Showing posts with label Jed Prouty. Show all posts
Showing posts with label Jed Prouty. Show all posts
 |
| Spring Byington and Florence Roberts |
In this final installment of Twentieth Century-Fox's Jones Family series, Mr. Jones, who is not seen (Jed Prouty, who played the role, is not in the movie as he wanted more money) has a nervous collapse after a Building and Loan crash and the embezzlement of several board members. While Jones recuperates, his wife, Louise (Spring Byington), and children have to deal with the fact that they're going to lose their home and their business. After this grim development, Mr. Jones is sent to a sanitarium in California to recuperate, and his family follows, but have severe money troubles. In an incredible and gutsy maneuver that borders on the unethical and even criminal, Louise and her oldest sons Jack (Kenneth Howell) and Roger (George Ernest), manage to "buy" a rental court from the owner, but not before he evicts his non-paying relatives. The family transform the court into a place where entertainers are welcome, not to mention people with children and pets, which infuriates the landlord of the property next door, who's afraid his tenants will complain about the noise and commotion, leading to a battle in court. Spring Byington takes center stage in this final Jones Family film, and runs with it, and the other actors, including Florence Roberts as Granny, are all terrific. Marguerite Chapman, Chick Chandler, ever-grumpy Charles Lane, and Irving Bacon are in the supporting cast. Call me a sentimental slob, but the depiction of the very obvious love these characters feel for one another is sometimes touching. NOTE: Your reviewer has seen all of the Jones Family films with the exception of Young as You Feel, Off to the Races, and A Trip to Paris. In the unlikely event that anyone has copies of these, especially Paris, please let me know!
Verdict: Not the best of the series, but some sentiment and humor and wonderful performances, and a more than interesting wind-up to the Jones Family (mis)adventures. **1/2.
 |
| Zachary Scott |
Max Thursday (Zachary Scott) is a divorced ex-cop who spends his time drinking in a rundown boarding house. But he is galvanized to action - sort of -- when his ex-wife, Georgia (Faye Emerson), comes to tell him that their little boy has been kidnapped. Max goes to see Dr. Elder (Jed Prouty of the Jones Family movies), who may have some information, but the man winds up murdered. And there are other complications. Frankly, Guilty Bystander is a bit confusing as we follow Max's convoluted path from person to person, although there are some interesting characters and actors along the way: Mary Boland has a very different role to play than usual as the tough, tippling landlady, but she does it well. Sam Levene is Max's former boss on the force, Captain Tonetti, and perhaps the biggest surprise is a young Kay Medford as a sexy moll with whom Max dallies in his quest for answers. Scott [The Unfaithful] gives a very good performance, with Boland, Prouty and Medford [Two Tickets to Paris] not far behind him, but the movie is very minor film noir, although there are a couple of surprises before the conclusion.
Verdict: Perhaps too murky for its own good. **1/2.
 |
| Florence Roberts, Spring Byington, and Joan Davis |
"If you sent her to Ripley I bet he wouldn't believe it!" -- Granny Jones on Lolly.
Mayor Jones (Jed Prouty) is alarming his wife (Spring Byington) and mother (Florence Roberts) because he's volunteering for too many duties as mayor and neglecting his drug store business to the point where he may lose it. Mrs. Jones decides to wake him up by neglecting her own duties and starring in a little theater production supervised by her old friend, Marge (Marjorie Gateson of Lily Turner). Added complications are the arrival of a niece, Lolly (Joan Davis of Around the World), who becomes the maid in exchange for food and board. Lolly has an eye on policeman Gilligan (Irving Bacon, Ethel's father on I Love Lucy) who loves her cooking but is preoccupied with the capture of safe cracker "Cracker" McGurk (Chick Chandler of Spy Train). Then the mayor discovers that his fellow board members have been behaving unethically and some money turns up missing ... Too Busy to Work is probably the funniest of the Jones Family films, with a good script and many amusing lines and situations to keep it consistently entertaining. Granny is especially acerbic in this entry. The entire cast, including Ken Howell and George Ernest, is top-notch, and Spring Byington certainly gets her chance to shine.
Verdict: Delightful! ***.
 |
| Robert Shaw, June Carlson, Kenneth Howell, Helen Ericson |
Just when the Jones Family has returned from their adventure in Hollywood, they discover that an uncle has died and left them a house and a mine -- in the middle of the Grand Canyon! What's worse, the notorious bank robber, Floyd "Bat" Douglas (Horace McMahon) and his gang are using the place as a hide-out. The gun moll Daisy (Helen Ericson) passes phony money to Mayor Jones (Jed Prouty) and the cops think he's one of "Bat's" confederates. Then there's the question of whether or not there's any gold in the mine or just new cans of pork and beans. Robert Shaw -- not the actor from Jaws -- plays a ranger that Lucy (June Carlson) is attracted to and Eddie Collins is the alleged lawyer, "Beaver." Funny, while I wasn't overly impressed with Jed Prouty the first time I saw him, I have to say he grows on you and is especially good in this installment. As usual Granny (Florence Roberts) nearly walks off with the movie. Collins was also in the Jones Family film Down on the Farm.
Verdict: Actually quite pleasant and amusing. ***.
 |
| Mayor Jones [right] samples some of Cy's corn liquor |
DOWN ON THE FARM (1938). Director: Malcolm St. Clair.
When the fire department accidentally makes a mess of their home, the Jones family head off to spend some time with Mayor Jones' sister, Ida (Louise Fazenda of The Old Maid) on the farm she co-owns with her brother. Mayor Jones (Jed Prouty) importunes hired hand and Ida's boyfriend Cy (Eddie Collins) to enter a corn husking contest -- Jones was once a corn-husking champ -- but learns that the town council thinks he's got a good shot at running for senator if he enters it himself. When a political boss (an uncredited Sidney Blackmer of Rosemary's Baby), who's backing someone else, offers Jones a post as state coroner, Grandma Jones (Florence Roberts) and Ida rightly see that it's only a bribe to get him out of the race -- no country bumpkins, they. Roger (George Ernest) has a girl named Emma (Roberta Smith) chasing after him, while Jack (Kenneth Howell) is immediately attracted to her older sister, Tessie (Dorris Bowden). Will John Jones win the corn husking contest and get to go to the senate? This is more amiable fun with a very creditable cast who by now were very much at home in their roles. Granny is a little more grumpy in this than usual, but still lovable.
Verdict: More fun with the Joneses. ***.
 |
| Lucy (June Carlson) is comforted by her mother (Spring Byington) |
SAFETY IN NUMBERS (1938). Director: Malcolm St. Clair.
Mrs. Jones (Spring Byington) wins a radio contest as "best mother" after daughter Lucy (June Carlson) pens an essay about her. Meanwhile Major Jones (Jed Prouty) is nearly hornswoggled by some folks who say the town swamp contains mineral water with miraculous properties and want money to build a health spa on the site. On the romantic front, Jack (Kenneth Howell) falls seriously for a gal, Toni (Iva Stewart), who is already engaged to another, a situation which doesn't thrill her mother (Helen Freeman). The title comes from a speech Mrs. Jones has in which she mentions that the advantage of large families is that if one member is sad or in trouble, the others can pitch in and help -- there's safety in numbers. Robert Lowery [Batman and Robin] has a small role as a radio show host, and Cy Kendall is again the portly Chief of Police. Followed by The Jones Family in Hollywood.
Verdict: More than acceptable entry in the Jones Family series. **1/2
 |
| Tommy (Marvin Stephens) and Roger (George Ernest) make plans |
As Bonnie Jones (Shirley Deane) nervously prepares for her wedding to florist Herbert (Russell Gleason), her father, now Mayor Jones (Jed Prouty), becomes a "Big Brother" to a troubled boy from the wrong side of the tracks named Tommy (Marvin Stephens). Mayor Jones is none too thrilled to have the boy among his household, but his wife (Spring Byington) and mother (Florence Roberts) importune him to give Tommy a chance. Part of Tommy's problem is that his older brother, Lester (George Walcott), who works in a pool room, has fallen in with a bad crowd. And then the safe in Mayor Jone's drug store is robbed ... Borrowing Trouble, in which Papa Jones learns not to judge people by their appearance (although his wife's "no bad boys" attitude is quite unrealistic), the seventh entry in the Jones Family series, is, as usual, well-acted with its sentimental aspects never becoming too cloying. Bonnie and Herbert finally get married even if the ceremony is interrupted in riotous fashion. The Jones get a new addition in this installment -- a dog. Oldest son Jack (Kenneth Howell) has little to do in Borrowing Trouble, as he only shows up for the wedding at the end. Roger (George Ernest) gets the lion's share of the footage and gives a very ingratiating performance; Stephens is also notable. His character of Tommy McGuire was carried over to future Jones films, such as The Jones Family in Hollywood, becoming Lucy Jones' (June Carlson) boyfriend. The ever-mediocre Cy Kendall, who plays Chief Kelly in this and other Jones' films, was in a number of serials [Jungle Queen] and "B" movies [The Shadow Strikes].
Verdict: Another amiable evening with the Joneses. **1/2.
 |
| Jed Prouty and Spring Byington as Mr. and Mrs. Jones |
Mr. Jones (Jed Prouty) is up in arms over a place called the Red Mill, which has illegal gambling in its back parlor and sells liquor to the under-aged. But will the mayor shut it down, or does he have an interest in the place himself? Jones is importuned to run for mayor himself, with son Ralph (George Ernest) both helping and hindering him by putting out his own newspaper and promoting his dad. Oldest son Jack (Kenneth Howell) is waylaid by a pretty singer who works at the Red Mill in a frame up which has him accused of paralyzing a pedestrian, but Ralph comes to the rescue with a bunch of bees. Bonnie (Shirley Deane) and Herbert (Russell Gleason), who seemed to get engaged at the end of the last Jones Family film, Big Business, still aren't married. The acting is as good as ever. Spring Byington and Florence Roberts play Jones' wife and mother respectively.
Verdict: Amiable and entertaining if minor. **1/2.
 |
| Jack (Kenneth Howell) races to town to save the day |
BIG BUSINESS (1937). Director: Frank R. Strayer.
In this very entertaining installment of the Jones Family series, oldest daughter Bonnie (Shirley Deane) is a little disgusted with her fiance, Herbert (Russell Gleason), because he's dragging his feet regarding marriage until he thinks he's saved up enough money. Bonnie thinks she's come up with the answer when former football hero Ted Hewett (Allan Lane of King of the Mounties) shows up in town selling stock in the Eureka oil well. Hewett importunes Father Jones (Jed Prouty) and many other townspeople to buy stock -- Herbert drags his feet on this as well -- and gets Jones to invest money he really can't afford in a new oil well. But will the Eureka well gush oil or just mud and water? In the meantime oldest son Jack (Kenneth Howell) has invented a super-charger that will make cars go super-fast. As usual, Granny Jones (Florence Roberts) has a lot to say, and at one point even manages so steal a kiss from young Herbert. Well-acted by all, Big Business has some genuine suspense and zips along under Strayer's brisk direction. Strayer also directed Manhattan Tower and Lane starred in King of the Mounties.
Verdict: Fun and charming. ***.
 |
| Kenneth Howell and George Ernest as Jack and Roger |
BACK TO NATURE (1936). Director: James Tinling.
A third Jones Family programmer was rushed out in 1936 and proved a touch funnier than the previous installments. In this Father Jones (Jed Prouty) goes to a convention and is pressured into bringing the whole family along [a premise that was used again in The Jones Family in Hollywood and probably others]. He buys an $800 trailer and most of the family foolishly ride inside it during the trip. There's a scene involving the trailer and a cliff that prefigures The Long, Long Trailer, but is less elaborate. At Crystal Lake, Jack (Kenneth Howell) dates a loopy gal named Mabel (Dixie Dunbar, carried over from the previous film, Educating Father, but playing a supposedly different character), and the two are involved in a near-disastrous boat ride just as they were nearly in a plane crash in the last installment. Tony Martin [Here Come the Girls] plays a romantic interest for Bonnie (Shirley Deane) -- and plays it very well, with suave flair and assurance -- but the romance decidedly hits a snag. Excellent performances help put this over, although Dunbar and her character are rather irritating. You keep hoping she'll run into Jason Vorhees from that other Crystal Lake in Friday the 13th!
Verdict: Palatable hijinks with the Joneses. **1/2.
 |
| Granny Jones reads her horror stories |
The first sequel to Every Saturday Night, in which the Evers Family became the Jones Family, was rushed out the same year, becoming a sort of theatrical hour-long sitcom for fifteen more installments. In this entry Mr. Jones (Jed Prouty) wants his son, Jack (Kenneth Howell) to follow him into the pharmacy business, but Jack is more interested in the field of aviation and has been taking flying lessons on the sly. There's a hair-raising bit when a silly gal named Millicent (Dixie Dunbar) climbs into the back seat of a plane without his knowledge and nearly causes a crack-up. In another sub-plot Mr. Jones goes fishing in a place miles away from anywhere just when his lease is coming up on his pharmacy, and Jack has to fly into the wilderness to get him back to town in time or he'll lose his store. Granny Jones (Florence Roberts) reads horror stories, and Mrs. Jones (Spring Byington) wrings her hands and offers sage advice. In this entry oldest daughter Bonnie is played by Shirley Deane.
Verdict: Passable comedy with likable players. **.
 |
| Jack (Kenneth Howell) gets advice from his granny (Florence Roberts) |
EVERY SATURDAY NIGHT (1936). Director: James Tinling.
When 20th Century-Fox came out with this adaptation of the stage play about a warm and loving family with their share of minor disagreements, they probably had no idea it would make enough money to engender no less than sixteen sequels! That means that there was one more entry in [what became] the Jones Family series than in MGM's Andy Hardy/Hardy Family series (even when you count the much-later Andy Hardy Comes Home and don't count a couple of Andy Hardy shorts), which began with A Family Affair (also from a play) the year after Every Saturday Night debuted. Ironically, the Jones Family series is pretty much completely forgotten, while everyone has heard of Andy Hardy, probably thanks to the irrepressible Mickey Rooney. In Every Saturday Night the name of the family is actually Evers, but it was changed for subsequent entries, although when the film was re-released as a "Jones Family" feature the "Evers" name wasn't over-dubbed. Evers/Jones (Jed Prouty) is a small-town pharmacist who, as his mother (Florence Roberts) tells him, raises his children as if it were twenty years earlier, and forgets the trouble he got into himself when he was a boy. His oldest daughter, Bonnie (June Lang) is dating a guy named Clark (Thomas Beck) who drives drunk and nearly kills a girl. The younger daughter, Lucy (June Carlson) wants to be an actress and is always imitating Hepburn, Garbo or someone else. Oldest son Jack (Ken Howell) gets in hot water when he takes Dad's car without permission, and borrows money from his serious younger brother Roger (George Ernest) at high interest. Then there's a near-crisis when little Bobby (Billy Mahan) gets a serious cut. Mrs. Evers (Spring Byington) is wise enough to know when to intercede and when to keep quiet. Every Saturday Night is certainly not a masterpiece, but it is surprisingly touching at times in its warmth and honest sentiment, and the obvious love these characters feel for one another is almost palpable, thanks to very adept performances by the entire cast.
Verdict: A lost bit of Hollywood history. **1/2.
 |
| George Ernest tries to console June Carlson |
THE JONES FAMILY IN HOLLYWOOD (1939). Director: Malcolm St. Clair.
The long-running Jones Family series [a total of 17 movies!] actually started with Every Saturday Night in 1936 when the family was named "Evers." (Presumably somebody with the same name objected because they became the more generic Jones Family with the next installment and thereafter.) This movie is about at the halfway mark for the series, and has the family traveling to Hollywood when Father Jones (a dithery and unappealing Jed Prouty) attends an American Legion convention, and everyone else, including the peppery Granny Jones (Florence Roberts), insists on going along. Lucy (June Carlson) thinks she's going to become a movie star thanks to the manipulations of sleazy actor Danny Regan (William Tracy of Terry and the Pirates), while girl-crazy Jack (Kenneth Howell) thinks he's fallen for an actress who only wants to use the handsome lug for research. The more studious brother, Roger, is played by the aptly-named George Ernest. At one point Roger, who is making a home movie, stands in for Lucy and shows her how to make love to her boyfriend, Tommy (Marvin Stephens), making it seem as if he has a crush on him. The actors are all adept, but the script is thin and silly and the laughs merely sporadic when they come at all.The only "name" in the cast is Spring Byington (Walk Softly Stranger), who is her usual self as Mrs. Louise Jones. Howell was also in Henry Aldrich for President and Junior G-Men. St. Clair also directed Jitterbugs with Laurel and Hardy.
Verdict: If nothing else a quaint curiosity of a long-forgotten series. **.