Showing posts with label Margaret Gibson. Show all posts
Showing posts with label Margaret Gibson. Show all posts
TINSELTOWN: MURDER, MORPHINE AND MADNESS AT THE DAWN OF HOLLYWOOD. William J. Mann. HarperCollins; 2014.
Biographer Mann resuscitates the William Desmond Taylor murder case in this recycled but entertaining look at scandals in old Hollywood. Besides actor-director Taylor, who was homely but attracted more people than you would imagine, the players include the "three desperate dames" Mabel Normand, who was Desmond's friend; Mary Miles Minter, who was sure she was in love with the older gay man; and Margaret Gibson, who tried to reinvent herself as "Patricia Palmer" after a prostitution incident. Another major figure in the cast is Darryl Zanuck, who is terrified of scandals during an era when self-appointed moralists and church ladies were coming out of the woodwork to denounce the motion picture industry. Then there's Will Hays, who was appointed to monitor said industry to prevent dreaded government censorship, and Gibson's circle of sleazy friends. not to mention Minter's possibly maniacal mother. Without fictionalizing, Mann tells the story in the style of a novel, which is occasionally awkward, but does build some suspense. While many might dismiss the book as a rehash of old material -- albeit a clever rehash -- Mann does uncover some interesting new information about some of these individuals, and has come up with a new theory as to the identity of Desmond's murderer which makes sense while at the same time involving some slightly far-fetched speculation. Tinseltown does do a good job of recreating the feel of the period, the desperation of many of the people there, and the tireless efforts to prevent an art-destroying censorship due to the interference of self-styled moralists. At least six previous books have been published about this unsolved mystery. Mann is the author of excellent biographies of Katharine Hepburn, Elizabeth Taylor and John Schlesinger, as well as of Behind the Screen: How Gays and Lesbians Shaped Hollywood. NOTE: This review is of an advance reading copy of the book.
Verdict: At the very least a good read with some compelling material. ***.
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Biographer Mann resuscitates the William Desmond Taylor murder case in this recycled but entertaining look at scandals in old Hollywood. Besides actor-director Taylor, who was homely but attracted more people than you would imagine, the players include the "three desperate dames" Mabel Normand, who was Desmond's friend; Mary Miles Minter, who was sure she was in love with the older gay man; and Margaret Gibson, who tried to reinvent herself as "Patricia Palmer" after a prostitution incident. Another major figure in the cast is Darryl Zanuck, who is terrified of scandals during an era when self-appointed moralists and church ladies were coming out of the woodwork to denounce the motion picture industry. Then there's Will Hays, who was appointed to monitor said industry to prevent dreaded government censorship, and Gibson's circle of sleazy friends. not to mention Minter's possibly maniacal mother. Without fictionalizing, Mann tells the story in the style of a novel, which is occasionally awkward, but does build some suspense. While many might dismiss the book as a rehash of old material -- albeit a clever rehash -- Mann does uncover some interesting new information about some of these individuals, and has come up with a new theory as to the identity of Desmond's murderer which makes sense while at the same time involving some slightly far-fetched speculation. Tinseltown does do a good job of recreating the feel of the period, the desperation of many of the people there, and the tireless efforts to prevent an art-destroying censorship due to the interference of self-styled moralists. At least six previous books have been published about this unsolved mystery. Mann is the author of excellent biographies of Katharine Hepburn, Elizabeth Taylor and John Schlesinger, as well as of Behind the Screen: How Gays and Lesbians Shaped Hollywood. NOTE: This review is of an advance reading copy of the book.
Verdict: At the very least a good read with some compelling material. ***.
| William Desmond Taylor, Margaret Gibson, Myrtle Gonzalez |
In this silent short, Alice (Margaret Gibson) is a shop girl with a plain boyfriend, a floorwalker named Fred (George Holt). Into the store come dapper society man George Dale (William Desmond Taylor) and his fiancee, Helen (Myrtle Gonzalez); Dale catches Alice's eye. There's also a new shop girl named Mazie (Jane Novak) whose fashionable clothing makes Alice envious. Determined to get George to notice her, Alice buys a new outfit, including one of the most hideous hats imaginable, but George asks her out anyway. When George introduces her to Helen and other friends, Helen gives Alice an affectionate kiss on the cheek. Later when he is having a drink alone with Alice, her tries to kiss her and she says "That's where she kissed me because she loves you!" Exit Alice. Okay. Alice learns it is better to stick with her simple life and floorwalker Fred [and hopefully she'll get rid of that hat!]. Because of the presence of Taylor and Gibson [aka Patricia Palmer] The Kiss is of historical interest, but it is hardly a lost classic. It only lasts about ten minutes and the acting is broad.
Verdict: Not one of the more memorable silent films. *1/2.
