Showing posts with label Monty Woolley. Show all posts
Showing posts with label Monty Woolley. Show all posts
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| Ida Lupino and Monty Woolley |
"On the stage you're still a god. Off, you're still a hairy monster."
Kathy Thomas is a lame young lady who lives and cares for her actor father, Madden Thomas (Monty Woolley), an irascible chap who is rather too fond of his liquor. Madden figures that he's all washed up in the theater, but he's offered a job by a neighbor, composer Robert Carter (Cornel Wilde), and then has a chance to star in a new production of "King Lear." But will he muff his chances for success with his usual self-destructiveness, and will his selfless daughter wind up an unloved spinster caring for her father for the rest of his life? Life Begins at Eight-Thirty doesn't dodge the tough questions about being a caregiver, especially for someone you love but find exasperating, and also ponders how much of a person's life they should give up for another's. [Of course, Madden is not exactly ready for a nursing home.] The worst dialogue is given to Wilde, who's quite stiff as Robert and offers one of the least romantic proposals ever seen on film. Lupino and Woolley are excellent, but the picture is nearly stolen by Sara Allgood, perennial supporting player, who has one of her best and longest roles as Robert's wealthy aunt, who has been carrying a torch for Madden for many years.
Verdict: Entertaining comedy-drama with equal parts cliche and insight. ***.
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| Lana Turner and Richard Carlson |
"She stinks!"
Just when the Dancing Tobins are to begin a new film, Toddy Tobin (a barely-seen Mary Beth Hughes) gets pregnant, and the search is on for someone to co-star with her husband, Freddy (Lee Bowman sans mustache). Learning that the studio is to conduct a talent search on college campuses, Freddy protests that he needs a professional, so it is decided to fix the contest, send talented Patty Marlowe (Lana Turner) to one of the institutions, and make damn certain that she is the winner. Patty gets involved with the editor of the school paper, "Pug" Braddock (Richard Carlson), who figures there has to be a "plant" and decides to ferret out who she is even as Patty assists him as a way of hiding the truth. Will Patty go to Hollywood, or will her scheme come undone? The movie begins well, but the fun peters out halfway through or earlier, and you'll find that you couldn't care less how it comes out. The script lets down the players, who are game and enthusiastic throughout, with Turner [Love Has Many Faces] and Carlson [All I Desire] swell in the leads, Ann Rutherford perky as a secretary who helps Patty, Leon Errol his usual fun self as Patty's father, and Thurston Hall and Monty Woolley also briefly on hand as well. I think I spotted drummer Buddy Rich a couple of times. Band leader Artie Shaw, playing himself, is third-billed but only gets one line of dialogue! He must have impressed Lana Turner, however, because she married him the following year [he also married Ava Gardner and Evelyn Keyes, among others]. Hal Le Sueur, Joan Crawford's brother, plays a handsome college student but has no lines. S. Sylvan Simon also directed the far superior The Fuller Brush Man.
Verdict: Picture could have been cute but it turns into a stink bomb.**