Showing posts with label Peggie Castle. Show all posts
Showing posts with label Peggie Castle. Show all posts
THE WHITE ORCHID (1954). Director: Reginald Le Borg.
Archaeologist Robert Burton (William Lundigan, in a Richard Denning-type role) plans to hunt for the remains of a lost Mexican civilization. His magazine sends him a female photographer, Kathryn Williams (Peggie Castle), which brings out his not-so-latent chauvinism. Kathryn is not above using her sex appeal to get the very handsome rancher Juan Cervantes (Armando Silvestre) to guide them to the ruins. Cervantes owns a vanilla bean plantation that also boasts white orchids, and it isn't long before he's forsaking his lady love Lupita (Rosenda Monteros) and declaring undying devotion to Kathryn as an annoyed Burton looks on. During a fiesta scene, there's some business with men flying around a tall pole on ropes that is cleverly-edited, but the movie doesn't lead to anything too exciting, and doesn't amount to much, despite the heavy breathing. Silvestre was born in San Diego, and was a busy actor, mostly in Mexican productions. Lundigan was also in The Case of the Black Parrot and many others, and Castle starred in Beginning of the End. Le Borg also directed Voodoo Island, which was more interesting than this.
Verdict: Good-looking cast with little to do. **.
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Archaeologist Robert Burton (William Lundigan, in a Richard Denning-type role) plans to hunt for the remains of a lost Mexican civilization. His magazine sends him a female photographer, Kathryn Williams (Peggie Castle), which brings out his not-so-latent chauvinism. Kathryn is not above using her sex appeal to get the very handsome rancher Juan Cervantes (Armando Silvestre) to guide them to the ruins. Cervantes owns a vanilla bean plantation that also boasts white orchids, and it isn't long before he's forsaking his lady love Lupita (Rosenda Monteros) and declaring undying devotion to Kathryn as an annoyed Burton looks on. During a fiesta scene, there's some business with men flying around a tall pole on ropes that is cleverly-edited, but the movie doesn't lead to anything too exciting, and doesn't amount to much, despite the heavy breathing. Silvestre was born in San Diego, and was a busy actor, mostly in Mexican productions. Lundigan was also in The Case of the Black Parrot and many others, and Castle starred in Beginning of the End. Le Borg also directed Voodoo Island, which was more interesting than this.
Verdict: Good-looking cast with little to do. **.
Evelyn Keyes and John Payne |
Ernie Driscoll (John Payne) is a bitter prize-fighter and current cab driver whose career ended when he received a serious injury to his eye. Driscoll also discovers that his unsatisfied wife, Pauline (Peggie Castle), is having an affair with a diamond thief named Victor (Brad Dexter). Then an aspiring actress he knows, Linda (Evelyn Keyes), tells him that she's in trouble, leading to the movie's best scene, which is, unfortunately, only midway through the movie. One clever if unlikely sequence isn't enough to save this standard potboiler, where Driscoll has to settle accounts with Victor while dodging police for an incident with Linda -- and worse. Payne and Keyes are okay, as is Frank Faylen as Driscoll's buddy, but Castle [Beginning of the End] makes a better impression and Dexter is terrific as a smiling homicidal reptile, matched by Jay Adler as the man who engineered the diamond heist but now won't pay off. Michael Ross, the space giant and bartender in Attack of the 50 Foot Woman, appears as a cabbie and Glenn Langan [The Amazing Colossal Man] is a theatrical producer. Keyes made a better impression in The Killer that Stalked New York but Dexter is much more vital in this than he was in Macao.
Verdict: Unimpressive film noir despite some decent moments and one surprise. **.