Showing posts with label series. Show all posts
Showing posts with label series. Show all posts
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| A typical day in the life of Lord Epping |
MEXICAN SPITFIRE'S ELEPHANT (1942). Director: Leslie Goodwins.
This is the 7th out of 8 "Mexican Spitfire" movies starring Lupe Velez and Leon Errol. Diana (Marion Martin) and Reddy (Lyle Talbot) want to get an onyx figurine of an elephant with a valuable gem hidden inside it into the country, so they give it to the venerable Lord Epping (Errol), then have a hell of a time getting it back. Carmelita (Velez) fights with hubby Dennis (Walter Reed) and runs off to a restaurant to do a dance act with Jose (Arnold Kent); Lord Epping and the jewel thieves like the place, too. Lady Epping (Lydia Bilbrook) and Aunt Della (Elisabeth Risdon) do their bit for the war effort, while Uncle Matt (Errol again), as usual, winds up impersonating Lord Epping, even as Della thinks the real Epping is her husband in disguise and treats him accordingly [see photo]. What does it matter? -- the cast is game, there are some funny scenes, and it's all easy to take if formulaic to the extreme. A bit with a bartender consistently confusing Matt with Epping is quite funny. Reed later starred in Flying Disc Man from Mars.
Verdict: Amiable nonsense. **1/2.
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| Hattie: "Woman, you better run for your life cause I'm rowed!" |
Jones Family daughter Bonnie (Shirley Deane) has a baby girl and makes the mistake of ascribing to the dopey child-rearing theories of one Dr. Pilcoff (Reginald Denny of Strange Justice), who believes the baby should have little contact with the parents for the first year. This doesn't sit well with Bonnie's husband, Herbert (Russell Gleason), nor with any member of the Jones family, especially Granny (Florence Roberts). Pilcoff hires a hatchet-faced nurse (Claire Du Brey of Jane Eyre) who comes into conflict with the family, and especially with Bonnie's wise old housekeeper, Hattie (Hattie McDaniel of The Great Lie), in the movie's best and funniest scene. In this installment of the popular Twentieth Century-Fox series, Bonnie is pretty much an idiot, at one point suggesting that Hattie, who has eight children (including the adorable Triola), "doesn't know anything about children." She also objects strenuously and in almost racist fashion when she finds Triola in her daughter's crib. On the other hand, there's a great scene when the gang finds Bonnie's "missing" baby at a meeting of black families where Triola wins a prize and the Jones baby sits happily with the other infants. Granny is again revealed as the smartest member of the Jones family, cooking up a clever scheme to get rid of Pilcoff and his notions once and for all. The rest of the family is in tow, all giving fine performances, and McDaniel is as terrific as ever. Fun!
Verdict: One of the cutest entries in the series. ***.
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| Wise Women: Spring Byington and Florence Roberts |
"Somewhere in that deep, dark breast of yours lies the spirit of Carnivale."
Bonnie Jones (Shirley Deane) and her new husband Herbert (Russell Gleason) are having trouble making ends meet and have little furniture in their attractive new home. Along comes Bonnie's free-loading Uncle Charlie (Alan Dinehart), who has Herbert cashing in his bonds not to buy furniture but to invest in a scheme that ultimately leaves him deeper in debt. Shirley wants to move back in with her parents, or file for divorce, and things aren't helped when Herbert and Charlie go out dancing with the former's employee, Millie (Joyce Compton of Dark Alibi), who looks sensational without her glasses. Love on a Budget is an amusing trifle with Granny Jones (Florence Roberts), in particular, in top form, dispensing wisdom and put-downs to Uncle Charlie in equal measure. The scene when Bonnie prepares her first dinner for the whole family is also quite funny. Mayor Jones (Jed Prouty), Mrs. Jones (Spring Byington), Jack (Kenneth Howell), Roger (George Ernest) and sister Lucy (June Carlson) are also along for the ride, as is a much more subdued Dixie Dunbar as Jack's date, apparently a different character from the crazy gal she played in previous Jones Family movies. Leeds also directed Bunco Squad. Shirley Deane was Princess Aura in Flash Gordon Conquers the Universe. Florence Roberts was the Widow Peep in Babes in Toyland. This is the eighth movie in the series.
Verdict: Pleasant minor comedy. **1/2.
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| Tommy (Marvin Stephens) and Roger (George Ernest) make plans |
As Bonnie Jones (Shirley Deane) nervously prepares for her wedding to florist Herbert (Russell Gleason), her father, now Mayor Jones (Jed Prouty), becomes a "Big Brother" to a troubled boy from the wrong side of the tracks named Tommy (Marvin Stephens). Mayor Jones is none too thrilled to have the boy among his household, but his wife (Spring Byington) and mother (Florence Roberts) importune him to give Tommy a chance. Part of Tommy's problem is that his older brother, Lester (George Walcott), who works in a pool room, has fallen in with a bad crowd. And then the safe in Mayor Jone's drug store is robbed ... Borrowing Trouble, in which Papa Jones learns not to judge people by their appearance (although his wife's "no bad boys" attitude is quite unrealistic), the seventh entry in the Jones Family series, is, as usual, well-acted with its sentimental aspects never becoming too cloying. Bonnie and Herbert finally get married even if the ceremony is interrupted in riotous fashion. The Jones get a new addition in this installment -- a dog. Oldest son Jack (Kenneth Howell) has little to do in Borrowing Trouble, as he only shows up for the wedding at the end. Roger (George Ernest) gets the lion's share of the footage and gives a very ingratiating performance; Stephens is also notable. His character of Tommy McGuire was carried over to future Jones films, such as The Jones Family in Hollywood, becoming Lucy Jones' (June Carlson) boyfriend. The ever-mediocre Cy Kendall, who plays Chief Kelly in this and other Jones' films, was in a number of serials [Jungle Queen] and "B" movies [The Shadow Strikes].
Verdict: Another amiable evening with the Joneses. **1/2.
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| Jed Prouty and Spring Byington as Mr. and Mrs. Jones |
Mr. Jones (Jed Prouty) is up in arms over a place called the Red Mill, which has illegal gambling in its back parlor and sells liquor to the under-aged. But will the mayor shut it down, or does he have an interest in the place himself? Jones is importuned to run for mayor himself, with son Ralph (George Ernest) both helping and hindering him by putting out his own newspaper and promoting his dad. Oldest son Jack (Kenneth Howell) is waylaid by a pretty singer who works at the Red Mill in a frame up which has him accused of paralyzing a pedestrian, but Ralph comes to the rescue with a bunch of bees. Bonnie (Shirley Deane) and Herbert (Russell Gleason), who seemed to get engaged at the end of the last Jones Family film, Big Business, still aren't married. The acting is as good as ever. Spring Byington and Florence Roberts play Jones' wife and mother respectively.
Verdict: Amiable and entertaining if minor. **1/2.
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| Mickey Rooney and Lewis Stone |
When Judge Hardy (Lewis Stone) discovers that an elderly couple may lose their home, he enlists son Andy (Mickey Rooney) in a search for their daughter, who might be able to help. Andy enjoys looking for the lady as it brings him into contact with several nubile schoolgirls: eternally giggling Euphrasia (June Preisser): the oh-so-Southern Clarabelle Lee (Margaret Early); and the attractive, unhappy Elvie (Martha O'Driscoll of Li'l Abner), who pretends to be 14-years-old but is actually much older. In a sub-plot Mrs. Hardy (Fay Holden) develops pneumonia and is placed in an oxygen tank by interne Jack Mulhall. One of the film's highlights is Andy's well-written and well-acted talk with his sister, Marian (Cecelia Parker). Judge Hardy and Son is a very entertaining comedy-drama that boasts an interesting story with some novel twists, fine acting and an outstanding performance from Rooney. The religiosity of the piece never quite gets out of hand. Marie Blake/Blossom Rock plays housekeeper Augusta, and Maria Ouspenskaya is one half of the elderly couple. Ann Rutherford is on hand as Andy's ever- jealous girlfriend, outraged as usual when she sees other girls' lipstick on his pan.
Verdict: One of the better Hardy Family entries from MGM. ***.
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| Kenneth Howell and George Ernest as Jack and Roger |
BACK TO NATURE (1936). Director: James Tinling.
A third Jones Family programmer was rushed out in 1936 and proved a touch funnier than the previous installments. In this Father Jones (Jed Prouty) goes to a convention and is pressured into bringing the whole family along [a premise that was used again in The Jones Family in Hollywood and probably others]. He buys an $800 trailer and most of the family foolishly ride inside it during the trip. There's a scene involving the trailer and a cliff that prefigures The Long, Long Trailer, but is less elaborate. At Crystal Lake, Jack (Kenneth Howell) dates a loopy gal named Mabel (Dixie Dunbar, carried over from the previous film, Educating Father, but playing a supposedly different character), and the two are involved in a near-disastrous boat ride just as they were nearly in a plane crash in the last installment. Tony Martin [Here Come the Girls] plays a romantic interest for Bonnie (Shirley Deane) -- and plays it very well, with suave flair and assurance -- but the romance decidedly hits a snag. Excellent performances help put this over, although Dunbar and her character are rather irritating. You keep hoping she'll run into Jason Vorhees from that other Crystal Lake in Friday the 13th!
Verdict: Palatable hijinks with the Joneses. **1/2.
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| Jack (Kenneth Howell) gets advice from his granny (Florence Roberts) |
EVERY SATURDAY NIGHT (1936). Director: James Tinling.
When 20th Century-Fox came out with this adaptation of the stage play about a warm and loving family with their share of minor disagreements, they probably had no idea it would make enough money to engender no less than sixteen sequels! That means that there was one more entry in [what became] the Jones Family series than in MGM's Andy Hardy/Hardy Family series (even when you count the much-later Andy Hardy Comes Home and don't count a couple of Andy Hardy shorts), which began with A Family Affair (also from a play) the year after Every Saturday Night debuted. Ironically, the Jones Family series is pretty much completely forgotten, while everyone has heard of Andy Hardy, probably thanks to the irrepressible Mickey Rooney. In Every Saturday Night the name of the family is actually Evers, but it was changed for subsequent entries, although when the film was re-released as a "Jones Family" feature the "Evers" name wasn't over-dubbed. Evers/Jones (Jed Prouty) is a small-town pharmacist who, as his mother (Florence Roberts) tells him, raises his children as if it were twenty years earlier, and forgets the trouble he got into himself when he was a boy. His oldest daughter, Bonnie (June Lang) is dating a guy named Clark (Thomas Beck) who drives drunk and nearly kills a girl. The younger daughter, Lucy (June Carlson) wants to be an actress and is always imitating Hepburn, Garbo or someone else. Oldest son Jack (Ken Howell) gets in hot water when he takes Dad's car without permission, and borrows money from his serious younger brother Roger (George Ernest) at high interest. Then there's a near-crisis when little Bobby (Billy Mahan) gets a serious cut. Mrs. Evers (Spring Byington) is wise enough to know when to intercede and when to keep quiet. Every Saturday Night is certainly not a masterpiece, but it is surprisingly touching at times in its warmth and honest sentiment, and the obvious love these characters feel for one another is almost palpable, thanks to very adept performances by the entire cast.
Verdict: A lost bit of Hollywood history. **1/2.
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| George Ernest tries to console June Carlson |
THE JONES FAMILY IN HOLLYWOOD (1939). Director: Malcolm St. Clair.
The long-running Jones Family series [a total of 17 movies!] actually started with Every Saturday Night in 1936 when the family was named "Evers." (Presumably somebody with the same name objected because they became the more generic Jones Family with the next installment and thereafter.) This movie is about at the halfway mark for the series, and has the family traveling to Hollywood when Father Jones (a dithery and unappealing Jed Prouty) attends an American Legion convention, and everyone else, including the peppery Granny Jones (Florence Roberts), insists on going along. Lucy (June Carlson) thinks she's going to become a movie star thanks to the manipulations of sleazy actor Danny Regan (William Tracy of Terry and the Pirates), while girl-crazy Jack (Kenneth Howell) thinks he's fallen for an actress who only wants to use the handsome lug for research. The more studious brother, Roger, is played by the aptly-named George Ernest. At one point Roger, who is making a home movie, stands in for Lucy and shows her how to make love to her boyfriend, Tommy (Marvin Stephens), making it seem as if he has a crush on him. The actors are all adept, but the script is thin and silly and the laughs merely sporadic when they come at all.The only "name" in the cast is Spring Byington (Walk Softly Stranger), who is her usual self as Mrs. Louise Jones. Howell was also in Henry Aldrich for President and Junior G-Men. St. Clair also directed Jitterbugs with Laurel and Hardy.
Verdict: If nothing else a quaint curiosity of a long-forgotten series. **.