Showing posts with label super-heroes. Show all posts
Showing posts with label super-heroes. Show all posts
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| Superman carries Lois Lane to safety, naturally |
Shot to Earth as an infant from dying Krypton by his father, scientist Jor-El (Russell Crowe), Kal-El (Henry Cavill) is adopted by the Kents and faces his greatest challenge before he's even begun his career as Superman proper: General Zod (Michael Shannon), an evil Krptonian despot, has escaped from the Phantom Zone and wants the codex that can make Krypton live again. Unfortunately, this will result in Earth and its inhabitants being destroyed. Superman sets out to stop him with the aid of the military, but it's an uphill battle. There's the germ of a good idea in Man of Steel, but its execution is highly disappointing. The story isn't told in a linear fashion but is interrupted with frequent annoying flashbacks, giving the whole project a disjointed continuity that pulls you out of the story instead of pulling you in. There are also some pretty stupid moments, such as when Johnathan Kent (Kevin Costner) simply allows himself to die so that Superman won't reveal himself too soon [even though Superman can move super-fast, and the awful effect Kent's death will have on his wife]! The prologue on Krypton is overlong and relatively uninteresting, and dead Jor-El (or rather his "consciousness") seems to pop up all the time more to make use of Crowe than for any other logical reason. The movie has a kind of Marvel X-Men flavor to it, especially in Superman's uneasy relationship with the authorities. Handsome Cavill strikes the right note as a Superman at the very start of his career, but the rest of the casting is problematic. A lady reporter doesn't always have to be aggressive and perky to a fault, but Amy Adams is a bit too drab as Lois Lane. Laurence Fishburne as an African-Amerrican Perry White is adequate, but he wasn't that great as a leading man, let alone a character actor. Crowe, Costner, and Diane Lane as Martha Kent are okay, but Christopher Meloni quit Law and Order: Special Victims Unit for only a small role as an Army man? You don't really see enough of Ayelet Zurer to judge her performance as the evil Krptonian Lara Lor-Van. As Zod, Shannon isn't bad, but he's somewhat lacking in dramatic flair but for a couple of sequences [after all, this is a comic book movie, not a drama, and a little overplaying is allowable]. The best thing in the movie -- and virtually the only time it really comes alive -- is when Zod and Superman take to the skies and have a lively, protracted fight to the death. Otherwise, this Man of Steel rarely flies. The original Christopher Reeve version may have had its flaws, but it was better than this. Man of Steel is about on the level of the equally disappointing Superman Returns. As I predicted Man of Steel is much less entertaining than the excellent animated feature, Superman vs. the Elite. Cavill will reprise the role of Superman in the upcoming Batman vs. Superman, and will also play Napoleon Solo in the big-screen version of The Man from U.N.C.L.E.; he was also in the crappy Immortals.
Verdict: The really great Superman movie has yet to be made. **1/2.
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| Senior Batman vs eternally young Superman |
BATMAN: THE DARK KNIGHT RETURNS Part One/Part Two (/Video/2012 - 2013). Director: Jay Oliva.
Based on Frank Miller's graphic novel The Dark Knight Returns, this two-part animated feature looks at the dark side and older years of Batman/Bruce Wayne. Batman has not appeared in Gotham city for a decade, but the threat of a homicidal gang that calls itself the Mutants, and whose activities are becoming more and more violent, bring him out of retirement. Eventually this brings him into conflict with the Gotham police department, which gets a new female commissioner in part two, and then with Superman in the final sequences. Taking care of the Mutants with blunt brutality, something the police were not able to do, makes the now-senior Batman a hero in the eyes of some Gothamites, and a fascist in others, such as the Joker's nutty psychiatrist, who thinks Batman is the real sociopath and is responsible for villains like the Joker. This is all played out before a backdrop of social and political commentary. A new, very young female Robin named Carrie at first seems like a frivolous character, as she comes out of nowhere and seems to have had absolutely no training, but she grows on you after awhile. There's more than one suggestion that the Joker in this might be gay -- his final confrontation with Batman is in a Tunnel of Love! -- as well as other sexually ambiguous characters, but whether this is to give them added color or is mere LGBT exploitation is debatable. [One villainess has a butch haircut and swastikas painted on her naked, substantial breasts!] Peter Weller makes a fine Batman, with David Selby also notable as Commissioner Gordon, and other voice roles are well cast.The animation is fluid and Oliva's direction is fast-paced and cinematic. This is not your father's Batman.
Verdict: Sometimes thought-provoking, sometimes childish, but it holds the attention. ***.
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| Brainiac versus Superman |
Based on a graphic novel, this full-length animated feature details Superman and Supergirl's battle with the alien villain Brainiac, who shrinks and steals cities from around the galaxy; Supergirl's home town Kandor is now in a bottle on his spaceship, which is actually an extension of himself. [Brainiac first appeared in more human form in Superman comics of the silver age.] Sub-plots have to do with Supergirl's fear over going into combat with the powerful alien. as well as Clark Ken'ts relationship with Lois Lane, which the two are keeping secret [leading one character to suggest that Kent is gay in a stupid bit]. Superman has a fierce, final battle with Brainiac while Supergirl handles a deadly missile. Superman: Unbound has fluid animation and is typically colorful, but there's nothing very impressive about it, either. Certainly this isn't terrible but it doesn't have the quality nor the interesting storyline of Superman vs. The Elite. Matt Bomer is fine as Superman/Clark Kent.
Verdict: Disappointing comic book adaptation. **1/2.
Anthony Stark (Robert Downey, Jr.), whom the world knows is the hero Iron Man, issues a challenge to a terrorist known as the Mandarin (Ben Kingsley) and shortly after Stark's cliffside house is demolished by missiles. Another threat is posed by one Aldrich Killian (Guy Pearce), who has developed Extremis technology that gives human beings explosive and fiery super-powers that can easily get out of control. Are Killian and the Mandarin working together? The Mandarin in this movie is nothing like the character in the comics, but the business with Extremis was taken from relatively recent Iron Man stories. Iron Man 3 is entertaining [although non-comics fans may wonder what the hell is going on] and generally fast-paced, although it can be awfully talky at times. The action scenes are pretty well-orchestrated, and the two best scenes detail the attack on Stark's house and a knock-out sequence when Iron Man rescues eleven people who have been sucked out of an airplane [surely some of them would have died from terror?]. The climax has Iron Man and Iron Patriot (Don Cheadle) -- formerly known as War Machine -- rescuing the president and having a knock-down drag-out with a super-charged Killian. Iron Man 3 has a little too much humor and comes dangerously close to camp at times. Downey gets across the movie Stark's flippancy, but not much else. Guy Pearce steals the picture as Killian, easily giving the most impressive and intense performance. Don Cheadle is miscast, but Gwyneth Paltrow is fine as Stark's girlfriend and associate Pepper, and there are notable turns by Rebecca Hall as Myra Hansen, James Badge Dale as Savin [both associates of Killian's], and Ty Simpkins as little Harley, who helps Tony midway through the picture. Ben Kingsley is also good as the movie's rather weird reinterpretation of Iron Man's arch-enemy, the Mandarin. To read more about the comic book adventures of Iron Man, see The Silver Age of Comics.
Verdict: Iron Man fans may scratch their heads but otherwise enjoy this. ***.
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| Joel Kinnaman as RoboCop |
In the future American robots are used for overseas combat, but so far the country has resisted the idea of having robot police men back in the U.S. Omnicorp, a company run by Raymond Sellars (Michael Keaton of Batman), hopes to change all that, and figures the answer is to use the same technology on a real human being. Their opportunity comes when Detroit officer Alex Murphy (Joel Kinnaman) is nearly destroyed by an explosive device put in his car by a man named Vallon (Patrick Garrow). There's not much left of Murphy -- the movie's most startling scene has his armor dropping off to reveal how much of his original body is actually missing -- but he's put in a high-tech suit and given assorted abilities to fight crime. Dr. Dennett Norton (Gary Oldman) is able to override Murphy's consciousness, but his memories still fight to the surface and take over. Do either Norton or Sellars care about the ethical concerns of this "project," and why won't Omnicorp let Murphy's wife Clara (Abbie Cornish) visit him? There are many interesting elements to this remake of the original Robocop, and the film boasts some excellent performances from Keaton and especially Kinnaman, with a solid supporting cast (such as Jackie Earle Haley [Shutter Island] as the snarky Mattox and Samuel L Jackson [The Spirit] as a commentator, among others), but the action scenes are cluttered and uninvolving, even a bit dull. The amount of time, energy and money made to turn Murphy into RoboCop doesn't make the project seem very cost-effective, which the movie hilariously ignores.
Verdict: The performances help put this over. **1/2.
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| Iron Man prepares for battle |
IRON MAN: RISE OF TECHNOVORE (2013 direct-to-video animated feature). Director: Hiroshi Hamazaki.
"Next time I see you I'll buy you the best therapist money can buy."
Anthony Stark, aka Iron Man, prepares to launch a "Howard" [named after his father] satellite that will monitor and presumably safeguard activity on earth, but it is destroyed by a "weird kid" in strange armor that employs a technology unfamiliar to Stark. The kid is Ezekiel Stane, son of the late Obediah Stane, an old adversary of Stark's, and he is certifiable. Eventually Stane transforms into a hulking monster that Iron Man has trouble taking out. Guest-stars in this animated feature include Nick Fury of SHIELD, the Punisher, Hawkeye, and the Black Widow, some of whom, in a contrived bit of business, wind up fighting Stark. The movie has a wide range of styles, as well as that annoying anime influence, and the flat direction doesn't help. Stark is very well voiced by Matthew Mercer.
Verdict: Not very memorable. **.
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| Eboard vs Barry: Reverse-Flash tries to kill the Flash |
JUSTICE LEAGUE: THE FLASHPOINT PARADOX (2013 video animated feature). Director: Jay Oliva.
Based on a DC Comics mini-series entitled Flashpoint, this shows what unexpectedly happens when super-speedster the Flash (Barry Allen) goes back in time to prevent his mother's murder at the hands of his nemesis from the future, the Reverse-Flash (Eboard Thane). He has many more years with his mother, but the rippling effect creates a new reality in which Atlantis [ruled by Aquaman] is at war with the Amazons headed by Wonder Woman, with the whole world being slowly decimated by the violent conflict. In this new reality, Bruce Wayne was killed as a boy and it is his father, Thomas Wayne, who is a grizzled, ruthless and middle-aged Batman. And there are other changes as well. Frankly this adaptation gets a little confusing even if you've read the comics [apparently Aquaman and WW simply have an affair in this version while in the comics they nearly get married], but it has enough exciting moments to hold your attention. Some of the faces look a little too much like what you'd see in anime, and Cary Elwes is perhaps not the best choice to do the voice for Aquaman. C. Thomas Howell is fine as Reverse-Flash, however, as is Justin Chambers as Barry Allen and Kevin McKidd as Batman. One of the most magical moments has the Flash happily traveling at high speed, flying really, across the city at the end.
Verdict: For comics, super-hero and animation fans. ***.
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| Invisible Woman, Mr. Fantastic, Human Torch and the Thing |
Reed Richards (Ioan Gruffudd of Sanctum), his ex-girlfriend Susan Storm (Jessica Alba), her brother Johnny (Chris Evans of Captain America: The First Avenger), and buddy Ben Grimm (Michael Chiklis) all participate in a space experiment with college acquaintance and scientist Victor Von Doom (Julian McMahon). Unfortunately things go a little awry and they all wind up with strange, super-human powers. Sue can become invisible and create force fields. Johnny becomes a flying, blazing Human Torch. Reed can stretch any part of his body like a latter day Plastic Man; and Ben turns into a lump of orange rocks with incredible super-strength. Together they become known as the Fantastic Four and save the city when Von Doom [aka "Dr. Doom"] mutates into a metallic maniac and goes on the rampage. Despite some changes to their origin, this often captures the feel of the old Stan Lee-Jack Kirby Fantastic Four comic books of the silver age. There's a generous amount of humor, but it generally comes from the situations and isn't forced, as well as some pathos concerning the situation of "the Thing," as Ben becomes known, who loses his sweetheart when she can't deal with his ugliness. The movie presents the inter-relationships of the foursome along the lines of the comic, with a callow, often insensitive Torch goading the Thing into destructive rages, and so on. All five of the actors, including McMahon, while they may not at first seem like perfect casting, do a fine job bringing these super-heroes to life. Alba received a lot of knocks, but she has authority and gives a perfectly good performance. The only problem with the movie is that the climax is rather short. For more information on the Fantastic Four comic see The Silver Age of Comics.
Verdict: Fun Marvel Comic Book Movie. ***.
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| Superman and Lois Lane have a moment |
This is a feature length animated film based on the comic book mini-series of the same name. Rescuing some people in space, Superman is told that he absorbed radiation that is slowly killing him, something that was, of course, engineered by arch enemy Lex Luthor. Like the series, this is episodic, but eliminates some of the stupider sequences of the comic, such as the protracted business with the Bizarro duplicates, although the silly sequence with macho meathead time travelers "Atlas" and "Samson" remains. The sequence with the Parasite -- who is especially monstrous looking in this -- in jail has been expanded and is exciting. There are also two Kryptonian astronauts who were lost in space but now represent a danger to earth, an energy creature named Solaris, and Luthor's nasty niece Nasthalthia. James Denton, Christina Hendricks and Anthony LaPaglia all give good voice performances as, respectively, Superman, Lois Lane, and Luthor.
Verdict: Okay, but watch the excellent Superman vs. the Elite instead. **1/2.
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| Thor (Chris Hemsworth) and Loki (Tom Hiddleston) join forces |
"She no more belongs in Asgard than a goat does at a table" -- Odin, referring to Jane Foster
In this sequel to Thor, a malcontent named Malekith and his friends return to life and want to take over the universe -- or something like that. Thor (Chris Hemsworth) again disobeys his father, Odin (Anthony Hopkins), and temporarily joins forces with his brother, Loki (Tom Hiddleston) to take on the bad guys, but Loki always has a trick up his sleeve. There's little point in discussing the [lack of] plot as the film boasts some impressive scenic design and special effects and little else. As with the first film, Hiddleston and Hopkins offer the best performances -- Hemsworth has his moments as well -- and some of the comparatively minor characters from Thor are also back. It's one thing to have girlfriend Jane Foster (Natalie Portman of Black Swan) on board, but why do we need Dr. Selvig (Stellan Skarsgard, who doesn't even seem to be acting) and especially the annoying, collagen-lipped Darcy (Kat Dennings) -- they add absolutely nothing to the movie except pad the running time. With all of the fascinating villains that have appeared in Thor comic books for the past several decades, Malekith -- who comes off like nothing so much as a Star Trek reject -- is the least interesting they could have come up with. Rene Russo makes a good impression as Thor's mother, Frigga, and again Hiddleston almost walks off with the movie as Loki. There are only a couple of effective action scenes, most of which are not handled with any real panache, and the photography is often cluttered and unattractive.
Verdict: Read a stack of old Thor comics by Stan Lee and Jack Kirby instead. **.
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| A few members of the mighty Justice League |
JUSTICE LEAGUE: WAR (direct-to-video animated feature/2014). Director: Jay Oliva.
In 2012 DC Comics decided to reboot its entire line of comic books, including Superman, Batman, and Justice League of America, basically starting at the beginning and picking and choosing what would stay in continuity and what wouldn't. This animated feature film is based on the first few issues of the new Justice League comic book, and details the birth of the hero Cyborg (Shemar Moore), the first face-to-face meeting of Batman and Superman (not to mention Green Lantern), and the introduction of the new butch warrior Wonder Woman, who is somewhat scary. There's also Captain Marvel, who joins the others to take on the threat of Jack Kirby's creations Darkseid, his lieutenant DeSaad, and a whole slew of monstrous "parademons." The animation is fluid, the direction good, but the parademons don't make the most interesting antagonists, and there seems to be more of them than of Darkseid, although the villain does get his licks in during a big-time battle at the end. Superman and the Justice League's fight with Darkseid in the Superman cartoon program was more entertaining. You can read about the origins of many of these heroes in The Silver Age of Comics.
Verdict: Colorful and fast-paced, if strictly for Justice League fanatics. **1/2.
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| Logan struggles to stay on bullet train |
THE WOLVERINE (2013). Director: James Mangold.
Logan, the mutant Wolverine (Hugh Jackman) from the X-Men, is determined to give up his violent ways after being forced to kill Jean Gray in X-Men: Last Stand. But this is a vow he has trouble keeping when he's summoned to Japan to say goodbye to a now-aged Japanese man, Yashida (Hal Yamanouchi) whose life he saved in Nagasaki during WW2. [Wolverine's healing factor keeps him forever young.] Yashida has studied mutants, and Wolverine in particular, and wants to steal away his immortality if he can. Wolverine is aided by a young lady with psychic powers named Yukio (Rita Fukushima) and tries to protect Yashida's grand-daughter, Mariko (Tao Okamoto), from attacks by the criminal organization, Yakuza, and a nasty lady mutant called Viper who has a literally poisonous tongue and can suck away men's life forces with a kiss. Late in the movie what appears at first to be a robot Silver Samurai shows up to engage Wolverine in battle. The Wolverine is a fairly standard action/super-hero movie with little new in it, and is not as good as the character's first solo feature nor such films as X-Men: First Class. It has one near-thrilling sequence when Logan has a battle with an assassin atop a speeding bullet train and the two engage in some nifty acrobatics while trying to kill one another, but the rest of the movie isn't on that level. There's a post-credit sequence wherein Magneto (Ian McKellen) and Professor X (Patrick Stewart) make an appearance [presumably leading into X-Men: Last Stand]. Jackman has nailed the character perfectly and turns in a very good performance, and the supporting cast, especially Svetlana Khodchenkova as Viper, are generally arresting.
Verdict: If you've seen one Wolverine, you've seen them all. **1/2.