Showing posts with label 1944. Show all posts
Showing posts with label 1944. Show all posts
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| William Terry, Simone Simon and James Ellison |
JOHNNY DOESN'T LIVE HERE ANYMORE (1944). Director: Joe May.
In this very weird movie a young lady named Kathie (Simone Simon of Girls' Dormitory) takes a train to Washington D.C. and becomes the victim of a tiny bad luck gremlin named Rumplestilzken (voiced by Bugs Bunny's Mel Blanc). She winds up taking the apartment of a departing marine named Johnny (William Terry), but learns too late that he has given out keys to friends, soldiers, lady friends, and other apartment dwellers who need to use the bathroom. [Kathie makes all sorts of repairs to the apartment, but it never occurs to her to have the lock changed!] A sailor named Mike (James Ellison of Next Time I Marry) is one of the interlopers, along with his pal Jack (Chick Chandler of Lost Continent), and he finds himself vying with a returning Johnny, on leave, for Kathie's affections. The first thing you think while watching the beginning of this movie is that it could be either cute or stupid, and unfortunately it's much more of the latter than the former. The cast is appealing, especially a winsome Simon and sensitive Terry, and there are a couple of chuckles, but mostly it's more irritating than amusing. The ending is interesting, however, as you wait to find out which man Kathie is going to agree to marry and there's a surprise or two. Poor Rondo Hatton [House of Horrors] has a bit where he plays an undertaker who frightens Kathie. Grady Sutton and Robert Mitchum have smaller roles and are swell.
Verdict: Seems different at first but is really the same old silly stuff. **.
Pop Angel (Raymond Walburn) lives with his four daughters and tries to encourage them in a musical career, but only one of them, Bobby (Betty Hutton), has singing aspirations. Forcing her sisters to accompany her on a club date, they meet bandleader Happy Morgan (Fred MacMurray), a heel with a conscience. He promises Bobby a job in New York and takes money she won gambling, which sister Nancy (Dorothy Lamour) is determined to get back. To Manhattan the four gals go. Happy finds himself romancing both sisters to keep them at bay, although he's only in love with one of them. Can true love find a way through this mess...? And the Angels Sing is pleasant and the performances are good. The other two Angel sisters are played by Diana Lynn [Ruthless] and Mimi Chandler. MacMurray sings, but not that well, and Hutton [The Betty Hutton Show] "overacts" her supposedly comedic song numbers to the point where they're hard to take. A subdued Frank Albertson [Psycho] plays Nancy's easily discarded boyfriend, Oliver, and Eddie Foy Jr. is cast as MacMurray's bandmate, Fuzzy. There are a couple of saucy song numbers.
Verdict: Amiable tomfoolery. **1/2.
Dona St. Columb (Joan Fontaine) is tired of the way her witless husband Harry (Ralph Forbes of Convicts at Large) keeps throwing her at the slimy Lord Rockingham (Basil Rathbone) -- who keeps making passes -- so she takes off with the children to a summer retreat where she finds the cuddly old servant, William (Cecil Kellaway), waiting for her. She also finds a notorious pirate named Jean Aubrey (Arturo de Cordova) who claims he's really not such a bad guy as pirate's go. It isn't long before Dona is smitten with Jean and vice versa and longing for a romantic and adventurous life at sea. But can she forsake her children to go off with the man who has so aroused her fiery passion ...? Fontaine, as good as ever, has probably never looked more gorgeous and indeed the whole movie is expertly filmed in especially ravishing technicolor by George Barnes. Rathbone sparkles in his scenes as Rockingham, and the film's highlight is a rousing battle he has on a staircase not with Jean but with a desperate Dona. Mexican actor Arturo de Cordova is not terrible, but this part needed a sexier fellow, like maybe Errol Flynn, to make it believable; de Cordova was a major star in Mexico and South America, however. Victor Young's score sounds like ersatz Debussy. Based on a novel by Daphne Du Maurier.
Verdict: Stick to Rebecca. **.
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| Boo! |
Captain Jim Marsden's (Kane Richmond) ship, the Dolphin, is lost at sea with a million dollars of gold bullion in its hold. If that weren't bad enough, Marsden is framed for the murder of a man he owes money to, but he escapes from jail with the help of his buddy, Tommy (Great Old Movies' favorite Marshall Reed). Sailing to another island the two men rescue Patricia Harding (Kay Aldridge) and her father, and they all become embroiled in efforts of bad guy Kane (Roy Barcroft), the real murderer, to take care of them so he can have the gold, which he's found, all to himself. Some of the action takes place in the mysterious "Haunted Harbor," which boasts a Chinese dragon-type stylized sea monster [see photo], which despite its obvious [intended] lack of life has an attractive design and is fun to watch. Memorable cliffhangers include Pat nearly punctured by an air drill; Jim tied to a huge bonfire; and others. The fisticuffs come frequently and are lively in the Republic tradition. Excellent theme music by Joseph Dubin. The actors all give at least serviceable performances. Tom Steele, Fred Cordova, Jay Silverheels (as a native) and Ken Terrell are also in the cast. Re-released as Pirate's Harbor but fun by any name. Based on a novel by "Dayle Douglas."
Verdict: Solid, very entertaining Republic serial. ***.
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| Jan Wiley goes into her dance |
A dancer named Eve (Jan Wiley) is arrested for non-existent "lewdness" but it turns out to be her agent, Dan's (Phil Warren), publicity stunt. But she meets a shady bail bondsman named Hoffman (Eddie Dunn) who tells her she might just be the heir to a hair oil fortune; her life story corresponds to that of an "Eve Westland." Meeting her relatives, the members of the Sardum family, she discovers she has an ally in Uncle Horace (Edward Keane) and his sweet old sister Sarah (Janet Scott), but antagonists in the form of Horace's termagant wife, Lavinia (Betty Blythe), and her daughter, Millicent (Marilyn McConnell), who find her utterly declasse. Will our gal get her fair share of the estate and find true love with Dan? This could have made a cute and funny picture, but it opts for unconvincing melodrama instead. It doesn't even have a decisive wind-up. The acting is okay from a pretty unknown cast, but you can see why Wiley never became a big star; even her dancing isn't that great, and she looked a lot sexier in the serial Secret Agent X-9 made the following year.
Verdict: This is yet another stinky public domain movie retitled for the DVD market. *1/2.
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| Mischa Auer, Dennis O'Keefe and baby |
Gary (Dennis O'Keefe) is married to the easily excitable and almost neurotically jealous Geraldine (Marjorie Reynolds). Years ago Gary had a drunken fling in Mexico City with Mabel (Gail Patrick), and gave her some intimate lingerie with a love message embroidered on it with his name. Mabel, who is engaged to Gary's prospective business partner, Arthur (Lee Bowman), thinks Gary should be honest about it and they can all laugh about it and forget it -- very sensible -- but not-so-sensible, nervous Gary wants to get the notorious slip out of Mabel's hands and destroy it. To that end he hires Boris (Mischa Auer) to help him get it when the two couples and others converge at a house party. Somehow, after much hiding under beds and marital misunderstandings, the rumor gets around that Gary and Mabel's big secret isn't a mere slip, but a "slip" of a baby! Up in Mabel's Room is based on a creaky old farce that might have been hilarious in its day, but this attempt to turn it into a wartime screwball comedy just doesn't come off. There are some talented players in this -- O'Keefe certainly tries hard, Patrick is quite likable as the sophisticated Mabel, and Mischa Auer gets the film's only laughs (and there are far too few of them) -- but Marjorie Reynolds [Bring On the Girls] and most of the others show no gift for farce. If the picture were really funny you might overlook that most of the characters are quite stupid. John Hubbard [The Mummy's Tomb] and Binnie Barnes play another couple, and Charlotte Greenwood is an older woman who thinks Boris is a burglar and tries to shoot him. Allan Dwan also directed the terrible Brewster's Millions with O'Keefe.
Verdict: Pick any Mexican Spitfire movie and it will be a lot funnier -- this is leaden. *1/2
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| Irene Ryan sizes up hunky Jon Hall |
Virginia McCooley (Louise Allbritton of Son of Dracula) is so impressed with her widower-father, Phil's (Edward Everett Horton), lifeboat invention, that she's written to the government about it. The government is interested in talking to Phil and seeing his invention, but have by no means accepted it. Instead of waiting to see what they'll say, Virginia gets her father to quit his job and move the entire family -- four little brothers -- to San Diego, merely assuming the boat will be a success. Once you get past that idiotic premise -- I mean, why couldn't they just go to San Diego for a couple of days and see what happens? -- San Diego I Love You is a cute picture. Jon Hall [The Invisible Man's Revenge] plays a handsome, wealthy industrialist, John Caldwell, who might be interested in the lifeboat, and Eric Blore is marvelous as a weird butler who comes with the house the family moves into in San Diego; he and Horton have a funny scene together. Allbritton and Hall are fine in the leads, but the movie is nearly stolen by Irene Ryan [My Dear Secretary], who is hilarious as a woman who is looking for a cheap room and inadvertently thinks the McCooley's have one for rent -- and moves in! Buster Keaton shows up as a bus driver who is importuned to take the detour by the beach instead of his usual route when Virginia and John go on a date.
Verdict: Genuinely quite funny at times with a very spirited cast. ***.
"Is he dying of something serious?"
The irrepressible band leader Kay Kyser, playing himself, is back in another musical comedy and he's got Ish Kabibble and Ann Miller to play around with! The plot, such as it is, has Kay promising his band and singers a vacation but always discovering that there's another wartime commitment. Finally he resorts to pretending he's dying [a somewhat tasteless sub-plot] so that the gang will come back and perform. Another complication has it that Kay's favorite singer, the real Georgia Carroll, is going off to get married, and he's resistant to the idea of hiring Julie (Ann Miller), the daughter of supposedly wealthy Phineas Carver (Victor Moore), to replace her. [In real life Carroll married Kay Kyser!] Victor Moore not only plays Phineas but also all of his relatives, male and female, and there's a funny bit when we meet Ish Kabibble's family and all of them, including the dog, have the same bowl-over-the-head haircut. Kyser is likable and adept enough, Miller is enthusiastic and perky, the assorted singers and dancers are swell, the tunes are bouncy, and Moore [It Happened on Fifth Avenue] and Kabibble provide some laughs. What more could you ask for? Well ... Kyser and Kabibble were also in Around the World. Jason also directed Three Girls About Town and others.
Verdict: Amiable nonsense with music and a pleasant cast. ***.
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| Merle Oberon |
Leslie Calvin (Merle Oberon of These Three) is the only survivor of the shelling of a ship, and spent many miserable days in a life boat. With no family left, she goes to live with her Aunt Emily (Fay Bainter) and Uncle Norbert (John Qualen of Girls Dormitory), who live on an old sugar plantation near the bayou, and whom she has never met. Leslie is befriended by Dr. Grover (Franchot Tone), the maid Florella (Nina Mae McKinney), and another fired servant, Pearson (Rex Ingram), who has been warned to stay away from the estate. Among her relatives' associates are their lawyer, Mr. Sydney (Thomas Mitchell), and handyman Cleeve (Elisha Cook, Jr.). It isn't long before Leslie, now a wealthy heiress, suspects that there's something not quite right going on in the bayou, and that it embroils her aunt and uncle and perhaps others. Dark Waters is a modest, obvious and predictable suspense item with some good performances from Tone and Bainter, and especially Ingram [Fired Wife], Mitchell and Cook. Oberon has a strong scene in the hospital at the beginning, but her performance is uneven. It's all swathed in a nice score by Miklos Rozsa.
Verdict: Watchable but not much else. **1/2.
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| Neil Hamilton confers with Robert Mitchum |
Mildred Baxter (Kim Hunter) marries in haste and then has reason to worry. Her new husband, Paul (Dean Jagger) is [unnecessarily] secretive and she comes to suspect that he may be the notorious silk tie strangler. Fred Grahm (Robert Mitchum), who has always loved Millie, tries to be supportive and also has meetings with Lieutenant Blake (Neil Hamilton), who suggests he knows more than he's saying. When Strangers Marry is a pretty dull alleged suspense film whose twist comes as little surprise. The only lively scene takes place in a black jazz club, supposedly in Harlem. Hunter [The Seventh Victim] is good, Mitchum is very good, Jagger [The Brotherhood of the Bell] is hamstrung by his role, and Hamilton is Hamilton. When Millie moves into her new apartment there's a photo of director William Castle [Macabre] on the mantle.
Verdict: A Monogram cheapie and it shows. *1/2.
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| Tom Conway |
A NIGHT OF ADVENTURE (1944). Director: Gordon Douglas.
NOTE: This review reveals "important" plot points. Lawyer Mark Latham (Tom Conway) has such a busy career and is so diligent with his clients that his wife, Erica (Audrey Long of Desperate), feels neglected. She moves into her own pad and begins seeing a fellow painter named Tony (Louis Borel). Mark goes to Tony's studio, where he discovers a jilted, drunken girlfriend named Julie (Jean Brooks), waiting for Tony with a gun. Attempting to disarm her, Mark winds up accidentally shooting her to death instead. Okay... Does Mark call an ambulance, just in case Julie is still alive? No. He gets his hat and goes home, then winds up being importuned by his wife to defend Tony when he is accused of murdering Julie. Throughout the trial Mark lies to his client, his wife, the police, the D.A. and everyone else -- does the word "disbarment" not mean anything to the man? Through it all Tom Conway shows less emotion or upsetment than if he discovered he's all out of hair dye. A Night of Adventure, based on a play, is meant to be clever but only comes off as increasingly idiotic and illogical, with a "hero" who's supposed to be brilliant and seems only remarkably stupid. At the end Mark flippantly tells Erica how he'll deal with everything without the slightest acknowledgment of the consequences of his actions. Admittedly, you're not supposed to take this frippery seriously, but even so ...! There are no laughs, and the screenplay is too moronic to hold any suspense. And Conway --- although the nominal star of this film he simply heads the cast list under the title and the word "with." He's not even the star of his own movie! It's as if he's being punished for delivering a terrible performance. Conway was George Sanders' brother but was never in his league as an actor, although he did give creditable performances in such films as I Walked with a Zombie. Gordon Douglas' most famous movie is Them.
Verdict: It's because of crap like this that B Movies get a bad rap. *.
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| Charles Boyer and Irene Dunne |
"You're a big shot in the office, and a non-entity at home!"
After making Love Affair in 1939, Irene Dunne and Charles Boyer were "together again" five years later in this slightly screwball comedy. Anne Crandell (Dunne) has been mayor of a small town in Vermont ever since the death of her husband and lives with her father-in-law, Jonathan (Charles Coburn) and neurotic stepdaughter Diana (Mona Freeman of Angel Face). Jonathan wants Anne to have more of a life, to forget his son [oddly] and her attachment to him and to the town they were happy in. When her late husband's statue is beheaded by a bolt of lightning, Jonathan sees this as a sign, but Anne only travels to Manhattan to meet with a prominent sculptor named George Corday (Boyer). After misadventures, including being mistaken for a stripper in a nightclub raid, Anne returns home convinced that George is not the right man for the job. But George follows Anne home and is determined to win her, if only he can get her to unbend ... Together Again basically gets by on the charm and abilities of its leads. A luminescent Dunne offers one of her best comic portrayals and is in absolutely top form throughout, Boyer is sauve and smooth as ever, and Coburn a delight as usual. Unfortunately, the material is second-rate, although there are a few amusing moments. Carl "Alfafa" Switzer has a funny cameo as an elevator boy, and Jerome Courtland [Sunny Side of the Street] scores as a young man who is dating the difficult Diana and often wishes that he weren't. Vidor also directed Rhapsody and many others.
Verdict: Great leads who need stronger material. **1/2.
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| George Sanders and Linda Darnell |
Based on Anton Chekhov's novel "The Shooting Party" this features George Sanders as a Russian judge and Linda Darnell as a Russian peasant! Despite this miscasting, the two actors play well together in the story of Fedor Petroff (Sanders), who neglects his fiancee, Nadena (Anna Lee), after he meets the beautiful Olga (Darnell), whom he knows is "beneath" him but whom he must possess come hell or highwater. An added complication is Olga's unhappy marriage to Anton (Hugo Haas), whose tragedy this chiefly becomes. Darnell is fine, and Sanders offers his usual good performance, but this is an actor whose forte is coolness, not passion, so he never really gets across his passionate feelings for Olga nor anything else. Haas, who also directed such "B" movies as One Girl's Confession, arguably offers the best performance as the likable but tormented Anton. Edward Everett Horton [Lady on a Train] is as good and as much fun as ever, although he, too, seems highly miscast as a womanizing nobleman of ill repute. Anna Lee [The Crimson Kimono] and Laurie Lane as the maid Clara both make a good impression. The whole sordid business comes to a very satisfactory conclusion, although the ultimate fate of one unhappy character is never disclosed.
Verdict: Intriguing romantic drama with interesting cast. ***.