Showing posts with label WW2. Show all posts
Showing posts with label WW2. Show all posts
| William Terry, Simone Simon and James Ellison |
JOHNNY DOESN'T LIVE HERE ANYMORE (1944). Director: Joe May.
In this very weird movie a young lady named Kathie (Simone Simon of Girls' Dormitory) takes a train to Washington D.C. and becomes the victim of a tiny bad luck gremlin named Rumplestilzken (voiced by Bugs Bunny's Mel Blanc). She winds up taking the apartment of a departing marine named Johnny (William Terry), but learns too late that he has given out keys to friends, soldiers, lady friends, and other apartment dwellers who need to use the bathroom. [Kathie makes all sorts of repairs to the apartment, but it never occurs to her to have the lock changed!] A sailor named Mike (James Ellison of Next Time I Marry) is one of the interlopers, along with his pal Jack (Chick Chandler of Lost Continent), and he finds himself vying with a returning Johnny, on leave, for Kathie's affections. The first thing you think while watching the beginning of this movie is that it could be either cute or stupid, and unfortunately it's much more of the latter than the former. The cast is appealing, especially a winsome Simon and sensitive Terry, and there are a couple of chuckles, but mostly it's more irritating than amusing. The ending is interesting, however, as you wait to find out which man Kathie is going to agree to marry and there's a surprise or two. Poor Rondo Hatton [House of Horrors] has a bit where he plays an undertaker who frightens Kathie. Grady Sutton and Robert Mitchum have smaller roles and are swell.
Verdict: Seems different at first but is really the same old silly stuff. **.
REVEILLE WITH BEVERLY (1943). Director: Charles Barton.
Beverly Ross (Ann Miller) wants to work on the radio in the worst way, so she connives to steal away Vernon Lewis' (Franklin Pangborn) morning program devoted to classical music and replace it with a pop music program. A wealthy man, Barry (William Wright) joins the Army at the same time as his chauffeur, Andy (Dick Purcell), and both bet on whether or not this new Beverly gal on the radio is pretty; she later confuses the two of them with one another. This was one of many wartime alleged morale boosters with a slim plot and many guest appearances by such artists as the Mills Brothers, Frank Sinatra, and Bob Crosby and his band. Irene Ryan has a funny turn as the secretary, Elsie, and Larry Parks plays a soldier named Eddie. Movies from this era either celebrated both pop/swing and classical/opera, with guest stars from various musical genres, or they do what this one does and turn it into a competition, chortling about how people prefer Bob Crosby to Mendelssohn. Franklin Pangborn is as wonderful as ever, cynically cast as the Mean Old Effeminate Classical Music Lover. With her perky, ruthless demeanor and out-sized cheeks, Ann Miller tap dances her way into infinity -- and not a moment too soon. Charles Barton directed many Abbott and Costello movies as well as The Shaggy Dog.
Verdict: No better nor worse than most of these things. **.
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Beverly Ross (Ann Miller) wants to work on the radio in the worst way, so she connives to steal away Vernon Lewis' (Franklin Pangborn) morning program devoted to classical music and replace it with a pop music program. A wealthy man, Barry (William Wright) joins the Army at the same time as his chauffeur, Andy (Dick Purcell), and both bet on whether or not this new Beverly gal on the radio is pretty; she later confuses the two of them with one another. This was one of many wartime alleged morale boosters with a slim plot and many guest appearances by such artists as the Mills Brothers, Frank Sinatra, and Bob Crosby and his band. Irene Ryan has a funny turn as the secretary, Elsie, and Larry Parks plays a soldier named Eddie. Movies from this era either celebrated both pop/swing and classical/opera, with guest stars from various musical genres, or they do what this one does and turn it into a competition, chortling about how people prefer Bob Crosby to Mendelssohn. Franklin Pangborn is as wonderful as ever, cynically cast as the Mean Old Effeminate Classical Music Lover. With her perky, ruthless demeanor and out-sized cheeks, Ann Miller tap dances her way into infinity -- and not a moment too soon. Charles Barton directed many Abbott and Costello movies as well as The Shaggy Dog.
Verdict: No better nor worse than most of these things. **.
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| The brat: Mike (Tab Hunter) peers at the object of his affection |
"Unpleasant -- brat!"
When a ship is bombed during WW2, the only survivors are a young marine named Mike (Tab Hunter of War-Gods of the Deep) and a middle-aged lady doctor named Elizabeth (Linda Darnell of Hangover Square). After they make their way to a deserted island that resembles paradise, their antagonistic relationship softens into a mutual attraction. Despite their situation, all seems quite blissful until an English pilot crash lands on the island and a triangle soon develops ... One problem with Island of Desire is that the two main characters never mention their lost comrades, nor wonder what's happening with the war; instead they engage in silly banter not long after everyone else is killed. However the fact that both of them don't quite seem to fit in and have no one else in their lives helps make their relationship more plausible. Darnell is quite good, and Hunter is also believable as the callow marine who bristles at being called a boy. This was Hunter's second film and he shows some acting ability to go with the considerable sex appeal. It would be easy to dismiss this as an "old maid's" fantasy film --virginal woman winds up on an island with handsome Royal Air Force pilot and Tab Hunter -- or sheer romantic folderol, but it holds the attention, is well-acted, well-photographed by Oswald Morris, and has a nice score by William Alwyn. John Laurie appears in flashbacks as another man who was shipwrecked on the island.
Verdict: For romantic souls and Tab Hunter/Linda Darnell fans. ***.
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| Willie (Dan Dailey) is questioned by French resistance |
WHEN WILLIE COMES MARCHING HOME (1950). Director: John Ford.
After Pearl Harbor, small-town boy and bandleader Bill Kluggs (Dan Dailey) is anxious to enlist. Although his early training doesn't go so well, he eventually develops "the highest rating of any instructor," which means the Army has more use for him in camp than overseas. Unfortunately, said camp is located right in Bill's home town, where he stays -- and stays -- while other men ship out and his neighbors get more and more resentful. Eventually he goes on a mission and winds up behind enemy lines and working with the French resistance, and is sent back to England with important information -- unfortunately he can't talk about the mission. One annoying thing about this otherwise good and funny movie is that no one -- not even Bill's parents -- acknowledge that he's performing an important service as an instructor (an assignment that is not without its dangers). Dailey is excellent, and he has fine support from William Demarest [Pardon My Past] and Evelyn Varden [The Bad Seed] as his parents; Colleen Townsend as his girl, Marge; Jimmy Lydon [Henry Aldrich Haunts a House] as her brother; and Corinne Calvet as a beautiful lady with the French resistance.
Verdict: Well-done and keeps you chuckling, with a fine lead performance. ***.


